Shaahin Mohajeri Wins UnTwelve Composition Competition

UnTwelve Non-profit Organization announced the results of its 2014/2015 composition competition on January 28, 2015. Shaahin Mohajeri, an Iranian Tonbak player, microtonalist, acoustician and composer, was awarded the second prize for his piece “Castle of Babak.”

Shaahin Mohajeri is of the belief that 96-EDO (96 equal divisions of octave) is a good system for intervallic structure of Persian music with more accurate estimation than Ali naqi Vaziri’s 24-EDO system. He is currently working on a microtonal notation system based on 96-EDO and also on a model for tuning systems classification based on divisions of octavic or non-octavic musical scales and systems.
Mohajeri is engaged with a new rhythmic system called “Microrhythm” which is based on time intervals which are defined in rhythmic systems.
Some of his tuning models and scales are being referred in Scala, powerful software for experimentation with musical tunings. Mohajeri’s pieces are composed in different modal, tonal and atonal microtonal spaces and show poly-microtonality as a way to relate different microtonal systems to each other.
He began studying tonbak under supervision of Nasser Farhangfar, master of tonbak, but his studies of tonbak sounding and fingering, tonbak musical analysis and his arrhythmic musical ideas have led him to a different world of music, tonbak and tonbak playing.
He composes music for tonbak solo and ensemble with different microtonal tunings, ranging from traditional to his personal style.
He is working on a new musical notation system for tonbak based on acoustical parameters and a system of fingering classification for this drum.
In 23 October 2006, Shaahin Mohajeri lectured on tonbak history, organology, acoustics and tunable tonbak of Dr. Hossein Omoumi in the Tehran Conservatory of Music.

Prizes and Nominations
2012
– The 3rd prize, UnTwelve 3nd Annual Microtonal Composition, for Three Micromusics for an Ant
– The 2nd prize, Second Festival of Music-based Websites and Weblogs for “Scales Coding” (article)

2011
– Finalist, UnTwelve 2nd Annual Microtonal Composition Competitions for the Battle of Ahuramazda and Ahriman
– Appreciation, First Festival of Music-based Websites and Weblogs for “Time Intervals” (article)

2010
– Winner, AEH and Muto Ethno2 Microtonal Demos Competition

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Nasser Masoudi: The Voice of Gilan and a Legacy of Iranian Music

In Iranian music, certain singers have become emblematic of their homelands through their distinctive voices. Historical figures such as Eghbal Sultan, who epitomized the grandeur of Azerbaijani music, and Taj Isfahani, who conveyed the authentic essence of Isfahan, serve as notable examples from the Qajar era. Nasser Masoudi occupies a similar position; his voice emerged as a symbol of Gilan while also achieving national acclaim. Before him, Master Ahmad Ashurpur represented Gilan’s musical landscape, but his extended residence outside Iran limited his continuous engagement in the music scene. In contrast, Masoudi’s consistent presence allowed him to introduce the voice of Gilan to audiences across Iran.

Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

From Past Days…

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A Look at Ali Tajvidi’s Manifold Musical Activities (II)

Tajvidi thought of studying harmony and orchestration with Houshang Ostvar (who was eight years younger than him) at a time when he had gained a reputation among musicians. His humbleness, making him willing to kneel before the scholars at any age and position, became the key to his scientific success. After this period, Tajvidi made some of his works polyphonic, the most prominent of which is “Burn” set to a poem by Abdullah Ulfat. However, his ability to make his works polyphonic was not so great to make him self-sufficient; so he depended on musicians such as Farhad Fakhreddini, Fereydoun Naseri, Kambiz Roshanravan, Fereydoun Shahbazian and Morteza Hananeh for the arrangement of his compositions.

“The Art of Silence” Project Will be Released

Shaahin Mohajeri, the award-winning Iranian microtonal compose, has contributed to The Art of Silence is an international project which features unpublished pieces by microtonal composers from Iran, Japan, the United States, and other countries.

Principles of Playing Violin (IV)

Principles of Playing Violin (IV)

Pattern No.3/1 Left hand finger Placement: 3/1/1: Landing Fingers on one String: In preliminary stages of training, an apprentice should pay attention to the principle of keeping fingers while placing them on the fingerboard. Professional violinists pay less attention to this principle. Novice player’s complying with this principle, in preliminary stages of training, has several…
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Jamshid Andalibi passed away!

Jamshid Andalibi, one of the most famous ney players in Iran, passed away on the fifteenth of Esfand, 1402, at the age of 66 due to a heart attack at his private residence. Andalibi was a member of a family that had a significant presence in the field of Iranian music in the sixties and…
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Farhad Poupel’s piece, Road to Bach, performed at Suntory Hall

On June 19, 2021 , young Iranian composer and pianist, Farhad Poupel’s piece, Road to Bach, was performed at the prestigious Suntory Hall by the great Japanese pianist, Kotaro Fukuma. The piece was commissioned by Kotaro Fukuma to have its world premiere in Suntory Hall during a concert by the same name.

From the Last Instrumentalist to the First Composer (II)

Rouhollah Khaleghi was the master of composing beautiful melodies. He was the premier of the course of history which was first established by Ali Naghi Vaziri and which improved the Iranian music from simply a gathering music to the classical music of the country. First efforts to compose independent and instrumental music can be also traced in Khaleghi’s works.

The Structure of Kurdistan Daf (II)

With its simple physical structure and captivating sound, the Daf never belonged to a particular culture or location, and every nation had different usages for this instrument considering their dominant customs and traditions.

Principles of Violin Playing (VIII)

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Last Year under the Light of Music

Almost three months into the new Iranian year (starting March 21), it is still not too late to have a look at the last year and the challenges that the musicians faced. The following article was published on the first day of the New Year in the Persian edition of the HarmonyTalk journal.