HarmonyTalk Journal’s Twentieth Anniversary Celebration

On the 10th of Khordad, 1403 (equivalent to May 30, 2024), the twentieth anniversary celebration of the online journal “HarmonyTalk” took place at the Ersbārān Cultural Center. The event garnered such interest from enthusiasts that the venue was completely filled.


At the beginning of the program, after a warm welcome by the experienced host, Sofia Monshipour, a video clip showcasing twenty years of the journal’s activities was played. Following that, the National Youth Orchestra of Iran, led by Arvin Sedaqatkish (who is also one of the authors of HarmonyTalk), performed pieces composed by Hossein Dehlavi and Parviz Meshkatian.

Later, Sadjad Pourqannad (the editor-in-chief of HarmonyTalk) presented a report on the journal’s two decades of activity. This comprehensive report will be published in upcoming issues of the journal.


Subsequently, Babak Khazraei was invited to speak. He emphasized the importance of sustaining HarmonyTalk’s activities and shared his initial acquaintance with the journal. Khazraei noted that over time, HarmonyTalk has evolved toward a more scholarly approach.

Khazraei also recalled how, twenty years ago, there were predictions that print magazines would soon cease to exist, and today, we see that this prediction has indeed come true.

Babak Khazraei’s Conclusion: Babak Khazraei concluded by expressing his hope to witness the magazine’s 30th and 40th anniversary celebrations and its continued operation.

Invitation to Mohammadreza Fayyaz: After Babak Khazraei’s speech, Mohammadreza Fayyaz was invited to speak.

Fayyaz stated: “Every phenomenon, whether it be a media outlet or a group of people, is the culmination of its own era. HarmonyTalk is also a combination of two parts: harmony and talk. It signifies an era where it was believed that a harmonious dialogue could exist. The same concept that, when translated into music, emerges as polyphonic music, and in human relationships, it becomes a dialogue between people in a harmonious and affectionate manner.”

After Fayaz’s speech, the Ordibehesht Choir led by Hamid Askari was invited to perform. The program performed by this group included pieces by Hamid Askari and several folk pieces harmonized by Rubik Gregorian.

Following this performance, Alireza Miralinaghi was invited to speak. Miralinaghi, referring to the efforts of Sadjad Pourghannad, the editor-in-chief of this site, said:

“It is historically very important that we are in an era where encyclopedias no longer have practical use in their old form and have actually become non-paper and digital encyclopedias that are constantly updated. HarmonyTalk is also important and valuable for this reason because it has such a characteristic.”

Miralinaghi continued to refer to the position of HarmonyTalk in historiography and considered its quality much higher than other sites that exist today, saying: “Most of the sites we see today are misleading rather than valuable and credible.”

Miralinaghi further stated: “I belong to a generation before the internet and have struggled to align myself with the generation of internet audiences, and if I am active on this site today, it is because of Sadjad Pourghannad’s insistence.”

After Alireza Miralinaghi’s speech, the Eighties Band came on stage with performances of 1980s-style pop music, which concluded the celebration.

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Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

Five Major Myths About Mozart’s Life

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From Past Days…

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The Structure of Kurdistan Daf (II)

With its simple physical structure and captivating sound, the Daf never belonged to a particular culture or location, and every nation had different usages for this instrument considering their dominant customs and traditions.

HarmonyTalk Journal’s Twentieth Anniversary Celebration

On the 10th of Khordad, 1403 (equivalent to May 30, 2024), the twentieth anniversary celebration of the online journal “HarmonyTalk” took place at the Ersbārān Cultural Center. The event garnered such interest from enthusiasts that the venue was completely filled.

Polyphony in Iranian Music (I)

Despite the fact that Iranian folk music (regional music of Iran), like the Radif of Iranian traditional music, is monophonic and follows heterophony in principal, we experience polyphonic forms, albeit, majorly unconscious.

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Discussions and research have been conducted on the harmonization of “dastgah” and melodies in Iranian music, and several books have been published on this topic, including “Armenian Music of Iran” by Ali Naghi Vaziri, “Harmony of Iranian Music” by Farhad Fakhreddini, and “Harmony of Iranian Music” by Ali Ghamssari. A master’s thesis titled “Presenting a Solution for Harmonizing Based on the Structure of Tritone Intervals” was written by Atefeh EinAli in 2014. Additionally, the invention and use of “Even Harmony” by Morteza Hannaneh should be mentioned.

Iranian Fallacies – School of Vaziri

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Ruggero Chiesa’s Legacy

Written by Peyman Shirali Translated by Mahta Mottaghi Since many years ago, I had the intention of writing an article on the Italian maestro Ruggero Chiesa and his musical life; but his ingenuity and the immense legacy, which is impressive for not only me, but also almost everyone who knows him properly, made it hard for me…
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