A note on “Illusion or Ingenuity” article

The article “Illusion or Ingenuity?” has been welcomed by the website readers and now, one of them has pointed some notes and facts about it as below:

The author of the “Illusion or Ingenuity” article, who is apprehensive of the future of the Music in Iran, enumerates some symptoms of the music weakening in the country for example decreasing in the quality of the music as well as lack of the innovation in creating them, a gradual decline in the music public taste and the drop in the application of layered sound and polyphony in music. He explains that one reason for this gradual weakening might be our unawareness of the fact that we are not so intelligent nation. He believes that we, Iranians, have a comprehensive “Illusion of the high national intelligence “that make us ignorant of the unfavorable realities of our music and consequently no searching for the remedy is taking place. His point of view brings to the mind a patient who thinks he is healthy, therefore delays the treatment and finally is killed by the disease. The author also refers to the national difficulties which gradually will lower the national intelligence score such as the increased rate of the immigration and brain drain, low quality of the nutrition, incompetence of the education system and etc and predicts that the condition of the music of Iran might deteriorate in the future because of the mentioned illusion of its great status.

The criticisms and questions raised by the readers of the article were mainly focused on two subjects:
1- Uncertainty about the accuracy of the intelligence quotient (IQ) of Iranians (84) and the validity of the source used for the reported IQ.
2- The involvement of factors other than “not so high IQ” and “Illusion of intelligence” in the enumerated imperfections of the music of Iran.

It is hoped that the following hints, could resolve the uncertainties, answer the raised questions and lead to a fair judgment:
i. The source used in the Yaghoobian’s article for reporting the national IQ score is a website named photius (www.photius.com). The site itself got the information from a 2002 book “IQ and the wealth of the nations “by Richard Lynn, Professor of Psychology, and Tatu Vanhanen, Professor of Political Sciences. The book argues that international differences in current economic development are due in part to differences in average national intelligence as indicated by national IQ estimates. The IQ figures were based on actual tests for IQ in 81 nations including Iran. In 104 of the world’s nations there were no IQ studies at all and the IQ was estimated based on IQ in surrounding nations with similar ethnicities and cultures.
Many other studies have used the data reported in this book, while some criticisms has been raised including the questioning of the methodology and of the incompleteness of the data, as well as of the conclusions of it. In 2006, the authors published another book named “IQ and Global Inequality” presenting calculated IQs for 113 countries and estimated IQs for an additional 79 countries. They also responded to the first book critics.
In 2010, in an article entitled “National IQs updated for 41 Nations”, Lynn presented new national IQs for 25 countries and revised national IQs for 16 countries and there was no change in the IQ score reported for Iran (IQ score 84) (1).
In a 2012 article of Lynn and Vanhanen “National IQs: A review of their educational, cognitive, economic, political, demographic, sociological, epidemiological, geographic and climatic correlates” showed that there are significant and substantial correlations between national IQs and a wide range of phenomena including educational attainment (EA) (represented by scores obtained by school students in math and science), per capita income, economic growth, various other economic variables, crime, political institutions, health, demographic and sociological variables, and geographic and climatic variables. In this way they defended the validity of their reported national IQs and believe that these high correlations would not be present if their national IQs were meaningless (2).
ii. One of the most valid studies designed for large scale and international assessments of teaching and learning in mathematics and science used in the intelligence-focused articles is “TIMSS” (Trends in International Mathematics and Science Study). TIMSS is a project of the International Association for the Evaluation of Educational Achievement (IEA) (3).
First conducted in 1995, TIMSS reports every four years on the educational achievement of Year 4 and Year 8 students of many countries, compares them and provides an international perspective on teaching and learning in mathematics and science. TIMSS scores are scaled to have an international average value of 500 (TIMSS scale centerpoint) and a standard deviation of 100 points(3).
In the article “National IQs calculated and validated for 108 nations” Lynn et al demonstrated that national IQs presented by them have a high degree of validity by proving that there was a high correlation between the educational attainment (EA) scores (obtained by integrating scores from a number of studies i.e. TIMSS) and the national IQs. The correlation of EA with measured IQ (N = 86 countries) was 0.917, and with measured + estimated IQ (N = 108 countries) was o.907 (4).
Fortunately, Iran has participated in all five TIMSS studies in 1995, 1999, 2003, 2007 and 2011 and the average scores of Iranian students in the 2011 study were:
• Average mathematics scores of 4th-grade students: 431
• Average mathematics scores of 8th-grade students: 415
• Average science scores of 4th-grade students: 453
• Average science scores of 8th-grade students: 474

As it is seen, the average scores of Iranian students in both grades are lower than the TIMSS centerpoint (500) (5).

iii. Many scientific studies have proven that intelligence depends on the genetic makeup (Genes and their inheritance) of individual as well as environmental variables (e.g. prenatal and early nutrition, parenting style, home environment, education, experiences, physical activity …). Using the adjectives undeveloped, developing and developed for describing the status of economical growth of the countries, in part represents the quality of environmental factors involved in shaping the intelligence of a nation. Therefore it is not so unexpected that the IQ and EA scores are lower in less developed (undeveloped and developing) countries.
Lynn and Vanhanen who founded the theory: “international differences in current economic and social phenomena are due in part to differences in average national intelligence”, also envisioned that for many of these are positive feedback loops such that, for instance, national IQs are a determinant of per capita income, educational attainment, and health, and these exert a reciprocal causal effect on national IQs(2).
iv. In a 2009 article “Decomposing self-estimates of intelligence: structure and sex differences across 12 nations.” Furnham et al compared the self-estimates of intelligence (SEI) across 12 nations (Australia, Austria, Brazil, France, Iran, Israel, Malaysia, South Africa, Spain, Turkey, UK and US) with the national IQs presented by Lynn and Vanhanen. All 12 nations estimated their IQ higher than that calculated IQs. The highest difference (34 points) only after South Africa belongs to Iranians (Figure 1) (6).


Figure 1: self-estimates of intelligence and national IQ Scores across nations (6).

v. And the last but not the least point: according to the Gardner’s multiple intelligence theory one of the intelligence categories is musical intelligence which describes the ability to understand and process auditory data and sensitivity to the sounds, rhythms, tones, and music (7). Similar to other kinds of intelligence, everyone is thought to possess musical intelligence at some level and this level is affected by genetic and environmental factors. Some people such as great musicians have high degrees of genetic musical intelligence, however it should be considered that everybody ‘s musical intelligence in any level can be enhanced or deteriorated by the impact of positive and negative environmental factors, respectively. Emphasizing on music training in childhood especially in the family, governmental funding for music training, deploying professional and experienced music teachers in music institutes, glorification of good musicians, holding high quality music concerts, using high quality music in visual and audio media and etc … all are examples of environmental factors that could affect musical intelligence. Accordingly as stated by the author of the “Illusion or Ingenuity”, long-term negligence of these critical issues due to the “Illusion of Ingenuity” will undoubtedly deteriorate Iranian music position.
In the hope for a more intelligent Iranian nation

References:
1- Lynn R.; National IQs updated for 41 Nations. Mankind Quarterly, Vol. 50, No. 4, 2010, pp. 275-296.
2- Lynn R., Vanhanen T.; National IQs: A review of their educational, cognitive, economic, political, demographic, sociological, epidemiological, geographic and climatic correlates. Intelligence, Vol. 40, Issue 2, 2012, pp. 226–234.
3-http://www.iea.nl
4- Lynn R., Meisenberg G.; National IQs calculated and validated for 108 nations. Intelligence, Volume 38, Issue 4, 2010, pp. 353–360.
5- nces.ed.gov
6- Von Stumm S., Chamorro-Premuzic T., Furnham A.; Decomposing self-estimates of intelligence: structure and sex differences across 12 nations. Br J Psychol, 2009, 100 (Pt 2), pp. 429-442.
7- Martin G.N., Carlson N. R., Buskist W.; “Intelligence and thinking” in Psychology. Pearson. 5th Edition, 2013.

Post a Comment

Required fields are marked *
*
*
Your email is never shared.

Jamshid Andalibi passed away!

Jamshid Andalibi, one of the most famous ney players in Iran, passed away on the fifteenth of Esfand, 1402, at the age of 66 due to a heart attack at his private residence. Andalibi was a member of a family that had a significant presence in the field of Iranian music in the sixties and…
Read More »

Homayoun Rahimian & Iran’s National Orchestra

The Roudaki Foundation presented the permanent conductor of the National Orchestra (Orchestr Melli), Homayoun Rahimian, in a ceremony, and finally, after four years, the national orchestra found a permanent conductor. Homayoun Rahimian is the fourth permanent conductor of this orchestra after Farhad Fakhreddini, Bardia Kiaras, and Fereidoun Shahbaziyan. He, who has previously had experience of conducting concerts besides being Meister’s concert of this orchestra, performed the concert “Autumns” on the 20th of Tir, performing works by Rouhollah Khaleqi, Javad Ma’roufi, and Hossein Dehlavi.

From Past Days…

Gholam Reza Khan Minbashian: a pioneer in Iranian music (I)

Gholam Reza Khan Minbashian, a.k.a Salar-Mo’azez, was a pioneer in several domains in the history of the Iranian music. He is recognized as the first Iranian musician who was educated in classical music. He is also the first Iranian the score of whose works were published in Europe. He is the first Iranian to have launched courses on Western classical music and was also the first Iranian teacher of classical music. Moreover, he is the first founder of a string orchestra in Iran, the first author of the Iranian Radif which was available in oral form. Minbashian is also the first Iranian who studied music in Europe.

Farshad Sanjari, Forgotten Iranian Conductor Met His Tragic End

Farshad Sanjari, one of the most renowned Iranian conductors in the 1970s in Iran died after fire broke in his apartment in Vienna on November 22, 2019. Farshad Sanjari was not involved in politics; however, he was one of the victims of the Iranian Islamic Revolution in 1979. After the victory of the Islamic Revolution, his name was never seen as the conductor of any programmes.

A few steps on the “Road to Bach”

The world of music has unparalleled respect for Bach. Bach is considered the spiritual father of classical music; Bach’s great position is due not only to his great achievements in the fields of harmony, counterpoint, and compositional sciences but also to his respect for and adherence to the artistic principles of classical music. In the history of classical music, it is recorded that Bach walked about fifty kilometers to listen to the music played by the great German organist Dieterich Buxtehude, and this is the path that every idealistic classical music student should walk.

Women and the Music Environment in Iran

The life territory of the female-male relations in the Iranian cultural context is basically a domestic territory and not a social-living one in the labour and leisure domains. To prove this, it only suffices to consider the Iranian men’s viewpoints about women. For the Iranian men, there are three perspectives regarding the women: mother, sister and wife. Mother represents the emotional territory; sister represents the logical territory at home while wife represents the sexual territory.

Developments in Iranian Music Since Qajar Era (II)

Santour:
Nine-bridge and twelve-bridge Sanours were both used until the early Pahlavi dynasty. However, as Faramarz Payvar devised new methods for playing the nine-bridge Sanour, this variety of the instrument which was hammered by felted sticks became popular.

Kayvan Mirhadi and O.R.P Qaurtet

Establishing O.R.P. Quartet is Kayvan Mirhadi’s latest activity as a guitarist, composer and conductor of Kamerata Orchestra. Besides working with this Quartet, Mirhadi is busy these days recording and mixing some of his own works as well as some pieces by 20th century composers. O.R.P Quartet performed a concert in Rasht, Gilan Province in late May 2016 and offered a master class.

Banan: the Artist of the Age

Gholam Hossein Banan was born in 1911 in Tehran. He was born in an affluent art-loving family who were Naser al-Din Shah Qajar (1848-1896)’s relative. The Qajar King was his mother’s uncle on her father’s side. He learnt his first lessons in music while his father sang Iranian avaz (improvised rhythmic-free singing), he then attended classes by the renowned Iranian composer, Morteza Neydavoud (1900-1990) along with his sisters; the composer is, therefore, considered as his first teacher. He then learnt Iranian avaz under the supervision of Mirza Taher Zia Resaee (Zia-o Zakerin) and Naser Seif in an oral manner.

Iranian Fallacies: Iranian Chords

Finding a way to harmonize the Iranian music has been the subject of controversy among Iranian musicians for a long time. Some believe in the creation of harmonies for Iranian music based on a method which is similar to the tierce harmony; while others have either selected or invented some other methods. There are also some musicians who do not basically agree with the harmonization of the Iranian music.

New Technique for Playing Classical Guitar (II)

When the author was working on the piece “Playing Love” by Ennio Morricone (from the legend of 1900), he realized a failure of the Lip Technique. Needing to play a chord in the 14th position of the guitar and in order to complete the harmony, it is necessary to play a harmonic note on the 7th or 5th position; it was not possible to touch the string to play this harmonic note, because the Lip Technique is used for getting the notes and not to touch the string and producing harmonic notes. Naturally, the only possible way to touch the string was to use the nose at the required position and playing the note with the right hand, and this was the best option the author found to how to play such harmonic notes, and where the Nose Technique was generated.

Polyphony in Iranian Music (III)

In heterophonic variant, two performers perform a single melody simultaneously and change it. Performing and changing a single melody simultaneously by two performers leads to the coincidence of different voices.