Celebrating 20 Years of Harmony Talk’s Journey: Resilience, Evolution, Honoring the Legacy and Navigating Future Growth

In a momentous celebration of two decades, the “Arasbaran Cultural Center” was the stage for the 20th anniversary of “Harmony Talk”, an online journal that has become a cornerstone in the music community. Sadjad Pourghanad, the editor-in-chief, delivered a speech that resonated with gratitude and vision.

Pourghanad began by honoring Kamran Vatanabadi, the founder of Harmony Talk, whose foresight in establishing wireless internet in Iran has been pivotal. Vatanabadi’s legacy is immortalized through Harmony Talk, which continues to thrive under his guidance.

The journey from Vatanabadi’s 100-day music blog to a comprehensive website was a collaborative effort, supported by a dedicated team of writers and translators, and financially backed by Datak internet company.

Pourghannad highlighted the seven years under Kamran Vatanabadi and Babak Arshad’s leadership, as Harmony Talk’s most prosperous period. Despite the content being primarily aimed at the general public at that time, there was a wide range of topics covered.

The first Harmony Talk crisis occurred in 2011 when Datak’s financial support was cut off, but fortunately, all the original writers of the site agreed to continue their collaboration on an honorary basis. However, since then, there has been a noticeable decline in the number of articles “exclusively” written for Harmony Talk.

During this period, the journal gradually moved towards more specialized content because elementary music education articles had mostly been published in the early period and it was necessary to take further steps.

Today, there are university students who have had Harmony Talk in their lives since they were born and have been reading the journal since they started music. Now, Harmony Talk is an integral part of many academic researches, with its articles frequently cited in music theses.

Numerous plans and designs were presented during that period and when Datak’s support was cut off in the last 13 years, very few of them were realized.

The main reason for this was a lack of financial and human resources interested in this field.

Now that the number of active physical and online music magazines in the whole country is less than the digits of one hand and many were closed due to a lack of necessary supervision, this is where the importance of HarmonyTalk and its sustainability becomes more apparent.

The journal’s resilience is further highlighted by its extensive archive of over 70,000 articles.

The loss of two influential writers, Mohsen Ghaane’ Basiri and Khosro Jafarzadeh, is deeply felt, yet their contributions live on through Harmony Talk.

It’s important to recognize the hard work and determination of those involved, but it may also be necessary to explore new avenues for securing funding or attracting more expert staff to accelerate the growth and development of Harmony Talk.

Pourghanad explains: As we celebrate this milestone, we acknowledge the challenges ahead. The financial sustainability of Harmony Talk relies on the personal income of its directors and the voluntary efforts of its staff. This have limited the site’s ability to expand and progress as quickly as desired. Yet, this has not stalled the site’s growth or its commitment to providing valuable content to its readers.

In closing, Pourghanad’s speech was a tribute to Harmony Talk’s past achievements and a hopeful look towards its future.

It is a reminder that while change is inevitable, the essence of Harmony Talk will continue to inspire and inform for years to come.

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Nasser Masoudi: The Voice of Gilan and a Legacy of Iranian Music

In Iranian music, certain singers have become emblematic of their homelands through their distinctive voices. Historical figures such as Eghbal Sultan, who epitomized the grandeur of Azerbaijani music, and Taj Isfahani, who conveyed the authentic essence of Isfahan, serve as notable examples from the Qajar era. Nasser Masoudi occupies a similar position; his voice emerged as a symbol of Gilan while also achieving national acclaim. Before him, Master Ahmad Ashurpur represented Gilan’s musical landscape, but his extended residence outside Iran limited his continuous engagement in the music scene. In contrast, Masoudi’s consistent presence allowed him to introduce the voice of Gilan to audiences across Iran.

Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

From Past Days…

Rouhollah Khaleghi Artistic Center established in Washington DC

Golnoush Khaleghi (1941-2021), a Washington-based Persian musician and the daughter of the contemporary Persian (Iranian) composer and theoretician Rouhollah Khaleghi (1906-1965) founded a musical center called RKAC to keep the name and the work of her father alive.

Tehran Flute Choir Established

Tehran Flute Choir was established in 1394 (late 2015) by Firouzeh Navai. Tehran Flute Choir, Iran’s first largest flute choir, recruited its members mostly from young talented flutists of Iranian Flute Association. Featuring piccolo, flute, alto flute and bass flute, Tehran Flute Choir, directed by Firouzeh Navai, premiered under the batons of Saeed Taghadosi on January 7-8, 2016 at Roudaki Hall in Tehran.

Ennio Morricone’s music for Quentin Tarantino’s The Hateful Eight

After watching Quentin Tarantino’s latest movie, The Hateful Eight, everyone was excited by its novel music besides the beautiful scenes of blood and guts.
The Hateful Eight is the first collaboration between the world-famous film music composer, Ennio Morricone, and Quentin Tarantino as a famous director.

Layla Ramezan, Iranian Pianist

Iranian pianist Layla Ramezan has always sought to create a connection between her Persian origin and the contemporary music which she encounters daily. Sound, phrasing, a particular sense of rhythm and a refined understanding of the “time of musical development” are the foremost qualities of her interpretations. Her musical and pianistic education began in Tehran at the age of 8 with Mostafa-Kamal Poortorab. Having moved to Paris and received a scholarship from Albert Roussel Foundation, she integrated the classes of Jean Micault and Devi Erlih at the Ecole Normale de Musique de Paris Alfred Cortot, where she received a Diplôme de Virtuosité in piano performance and chamber music.

Principles of Violin Playing (III)

Violin players should always pay attention to the proper position of the left thumb and other points related to it and to its joining point to the palm.

Ashoura Opera

Ashura Opera was composed by Behzad Abdi, the Iranian composer, in 2008 based on librettos compiled by Behrouz Gharib. The main source for the libretto is poems by Mohtasham Kashani, a sixteenth century Iranian poet.

Principles of Violin Playing (X)

Creating sound continuity between two notes in the source and destination positions when left hand position changes and “two different finger numbers” are involved is called portamento. Portamento can be performed on single string or two neighboring strings and with hand moving on fingerboard either upward or downward.

Call for papers SIMF 1396

The Association of Iranian Contemporary Music Composers (ACIMC) and SHAHREAFTAB Art & Cultural Association are pleased to announce a call for papers for SIMF 1396.

History’s Impact on Evaluating a Work of Art

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Transition to Enlightenment: Six Lectures on Mozart’s String Quartets (4)

The collaboration between Mozart and Haydn blossomed during the late 18th century in Vienna, a city that served as the epicenter of musical innovation. Amidst this vibrant cultural milieu, the two composers developed a profound friendship that extended beyond mere professional admiration. This connection is reflected in the six string quartets dedicated by Mozart to Haydn, aptly known as the “Haydn Quartets.”