Jamshid Andalibi passed away!

Jamshid Andalibi, one of the most famous ney players in Iran, passed away on the fifteenth of Esfand, 1402, at the age of 66 due to a heart attack at his private residence. Andalibi was a member of a family that had a significant presence in the field of Iranian music in the sixties and seventies.

Jamshid Andalibi started learning music at the age of 10 with an accordion at the cultural and art classes in Sanandaj, under the supervision of Hassan Kamkar. He then joined the youth group and the adult orchestra of the Sanandaj Cultural and Art Center and performed concerts alongside the adult orchestra while receiving various music lessons. Influenced by the ney performances of Hassan Kasaei, Andalibi became interested in playing the ney and initially started learning the instrument without a teacher. In 1354, he was accepted into the Faculty of Fine Arts at the University of Tehran in the music field.

During this period, he learned from Dr. Hossein Omoumi, a ney player, and also attended classes by other masters such as Nasrollah Nasehpour, Noor Ali Borumand, and Mohammad Reza Lotfi. By forming the Aref group with Parviz Meshkatiyan and Hossein Alizadeh, he joined this group and performed concerts and recordings with this group in the sixties. Andalibi went to Isfahan in 1360 to complete advanced ney playing techniques with Hassan Kasaei.

He was considered one of the most hardworking ney players in the sixties and seventies, especially collaborating closely with Mohammad Reza Shajarian on albums such as “Bidad”, “Nava”, “Dastan”, “Dood-e Oud”, “Aseman-e Eshgh”, “Yad-e Ayam”, “Rasvay-e Del”, “Payam-e Nasim”, “Del-e Majnoon”, and “Sarv-e Chaman”.

In addition to playing the ney, Andalibi was also active in composing music, with albums like “Mehman-e To”, “Paeize Neyzar”, and “Mounese Jan” among his works. Andalibi also arranged and played instructional versions of Abolhasan Saba’s Radif for ney.

However, Jamshid Andalibi’s most famous album, “Neynava,” was composed by Hossein Alizadeh. In this work, Andalibi played the ney as soloist. He also appeared on some albums by his brother Jalil Andalibi with the Molana group, leaving remarkable solo performances on albums like “Bigharar” and “Hey Gol.”

Jamshid Andalibi also worked as a ney instructor and contributed players to the artistic community.

Andalibi’s playing style had unique characteristics that distinguished his performances from other ney players.

In recent years, Jamshid Andalibi did not have much activity in ney playing and lived in seclusion.

Post a Comment

Required fields are marked *
*
*
Your email is never shared.

The Legacy of Khosrow Jafarzadeh

This year marks the fifth anniversary of the passing of Khosrow Jafarzadeh (Khosrow Djafar-Zadeh), a distinguished architect and pioneering researcher of Iranian music, whose contributions to the magazine “Harmony Talk” have left an indelible mark on the field. The absence of this remarkable individual has significantly impacted the expansion and advancement of his theories, which are heralded as some of the most progressive in the history of Iranian music

Whose dream?! Whose reality?!

(A review of the “So Faraway” album; Tar and Tonbak duet; Siavash Imani, Pedram Khavarzmini)

From Past Days…

A Promising Concert by National Instruments Orchestra

The National Instruments Orchestra of Iran performed its first concert amid much hope and anxiety on July 18, 2015. The Orchestra is founded by Roudaki Cultural and Arts Foundation which is a semi-private foundation in Iran. The Arts Director for the National Instruments Orchestra of Iran is cand the Orchestra Executive Director is Sadjad Pourghand.

Polyphony in Iranian Music (III)

In heterophonic variant, two performers perform a single melody simultaneously and change it. Performing and changing a single melody simultaneously by two performers leads to the coincidence of different voices.

A few steps on the “Road to Bach”

The world of music has unparalleled respect for Bach. Bach is considered the spiritual father of classical music; Bach’s great position is due not only to his great achievements in the fields of harmony, counterpoint, and compositional sciences but also to his respect for and adherence to the artistic principles of classical music. In the history of classical music, it is recorded that Bach walked about fifty kilometers to listen to the music played by the great German organist Dieterich Buxtehude, and this is the path that every idealistic classical music student should walk.

Jamshid Andalibi passed away!

Jamshid Andalibi, one of the most famous ney players in Iran, passed away on the fifteenth of Esfand, 1402, at the age of 66 due to a heart attack at his private residence. Andalibi was a member of a family that had a significant presence in the field of Iranian music in the sixties and…
Read More »

A Note on the Occasion of Houshang Zarif’s Demise

No introduction is needed when talking about the position of the late Houshang Zarif (1938-2020) in the Iranian music. His character and personality are so well-known among musicians that his name per se is a symbol and role model for the Iranian youth. “Becoming Houshang Zarif” is the dream of many young people who enter the world of music in Iran and many of whom retire regretting the realisation of this dream.

Parviz Meshkatian’s Heart Beat for People (I)

Amidst the popularity of traditionalism in the Iranian music, Parviz Meshkatian (1955- 2009) moved from Neyshabur to Tehran. He learnt to play Santour and became educated in the Radif of Iranian music at the Centre for Preservation and Promotion of Music which was at the forefront of promoting the return to musical traditions. Despite his studies at a centre which promoted the use of the phrase “traditional music” in Iran, Parviz Meshkatian emerged as a creative artist whose innovative and unique ideas attracted the admiration of Iranian artists and people from different walks of life. This article studies the reason behind Meshkatian’s deviation from the wrong approach of traditionalism strongly promoted by the Centre and argues that apart from the issue of theory of Iranian music, he can be considered as Ali Naqi Vaziri’s successor.

Polyphony in Iranian Music (VI)

Torqeh or jal is the same bird (Bimaculated lark) and is the name of a muqam which is well-known in Torbate Jam and those areas. Jal muqam is called Torqeh in Esfarayen and Bojnourd. This muqam which was used to be played by Bakhshis/Bagşies (dutar-players) in the past is seldom performed today.

Prominent Iranian Musicologist Passes Away in Vienna

Khosrow Djafarzadeh, musicologist and architect, who was also one of the main authors of HarmonyTalk journal passed away on 15 July 2019.

Layla Ramezan, Iranian Pianist

Iranian pianist Layla Ramezan has always sought to create a connection between her Persian origin and the contemporary music which she encounters daily. Sound, phrasing, a particular sense of rhythm and a refined understanding of the “time of musical development” are the foremost qualities of her interpretations. Her musical and pianistic education began in Tehran at the age of 8 with Mostafa-Kamal Poortorab. Having moved to Paris and received a scholarship from Albert Roussel Foundation, she integrated the classes of Jean Micault and Devi Erlih at the Ecole Normale de Musique de Paris Alfred Cortot, where she received a Diplôme de Virtuosité in piano performance and chamber music.

Motherland Orchestra Broke the Spell of the Covid-19 Restrictions

The Motherland Orchestra staged the first concert since the outbreak of the pandemic under the baton of Nezhat Amiri. The orchestra went on stage on December 23-24, 2021 in memory of Rouhollah Khaleghi and Golnoush Khaleghi at Vahdat Hall, Tehran, Iran. Since the pandemic outbreak, concerts were held online and restrictions were imposed on in-person concerts.