Rare documents of Tehran Opera Company published in Europe

The year 2020 marks the 10th anniversary of Evlin Baghcheban’s death. She played a crucial role to promote opera and choral music in Persia (Iran). Born to an Assyrian-French family in Turkey, she studied singing and piano at the Ankara State Conservatory. In 1950 Evlin married the Persian composer and fellow student Samin Baghcheban and moved to Tehran.

In Persia, Evlin started to teach singing at the Tehran Conservatory of Music and later became one of the stars of Tehran Opera Company. BBC’s Pejman Akbarzadeh has explored Evlin Baghcheban’s work in a special programme.

The late 1960s saw the zenith of Evlin Baghcheban’s career. After forming the Tehran Opera Company at Rudaki Hall, she had lead roles in many operas, including “Il Trovatore”, “Cavalleria rusticana” and “Carmen”, directed by legendary Lotfi Mansouri in 1971. Many documents and recordings held at the venue were damaged during the 1979 Islamic Revolution but, on the 10th anniversary of Evlin’s death, her son, Kaveh, has published some of the recordings and documents from the family private archive. The bilingual book is now available on Amazon.

“It was quite sad that after a long period of activity at the Tehran Opera, no album of my mother’s performances was available to the public,” Kaveh Baghcheban told BBC Persian TV’s 60 Minutes programme. “These are not professional recordings. These are recorded with simple microphones, but thank God! Because they tell us that, once upon a time, there was an opera company in Iran,” said Kaveh.

Funded by Toos Foundation (UK) and published by Persian Dutch Network (NL), the collection includes an audio CD and more than 50 rare documents and photos. Focused on Evlin Baghcheban’s career, but shedding light on the history of music in 20th-century Persia as well. Most of the materials were previously not accessible for the public.

According to Kaveh Baghcheban, as many recordings and documents were destroyed in 1979, researching the history of opera and choral music in Persia has become quite difficult. “We kept all of these materials hoping only to publish them one day. If other surviving artists also publish the documents and audio materials they have, the gap might be filled a bit,” said Kaveh.

Evlin Baghcheban (also transcribed as Evelyn Baghtcheban) was a singing teacher at the Tehran Conservatory of Music for years. Among her most famous pupils, Hossein Sarshar deserves a mention. Baghcheban was also quite active in choral conducting. She founded the Tehran Choral Group in 1967, which was assigned to perform the choral music for the coronation ceremony.

In 1973 Evlin Baghcheban founded a conservatory for orphaned children; a choral group was also formed under her baton in this conservatory. The choir became quite successful and, just months before the Islamic Revolution, was dispatched to Austria to record two albums: Rangin-Kamun (Rainbow), written for children by Samin Baghcheban, as well as an album of Persian folk songs.

 

Post a Comment

Required fields are marked *
*
*
Your email is never shared.

Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

Bahma Rajabi Passed Away!

Bahman Rajabi, the renowned tonbak (Persian goblet drum) player and educator, passed away at his home at the age of 86 due to a heart condition. He was the founder of a distinctive school of tonbak playing, and his teaching methods have been widely used by instructors of the instrument for decades..

From Past Days…

Prominent Iranian Musicologist Passes Away in Vienna

Khosrow Djafarzadeh, musicologist and architect, who was also one of the main authors of HarmonyTalk journal passed away on 15 July 2019.

Polyphony in Iranian Music (IV)

Two choirs alternatively perform Veŝ Tavaré Na avaz (Transcription 5). The second group starts the avaz before the first group finishes it; consequently, two different voices coincide (Transcription 5, staves 2 and 5).

Hossein Aslani passed away!

Hossein Aslani, Iranian pianist residing in the US, passed away due to cancer in late January 2020. His last musical activity was an article written for Harmony Talk entitled “Iran amidst musical struggle” in 2016, his memoir entitled “I Play You Again” in the same year and his album “Symbolic Emotion” published by Arganoun Publications in 2014. Here is a brief biography of Hossein Aslani according to his own website:

Principles of Playing Violin (IV)

Principles of Playing Violin (IV)

Pattern No.3/1 Left hand finger Placement: 3/1/1: Landing Fingers on one String: In preliminary stages of training, an apprentice should pay attention to the principle of keeping fingers while placing them on the fingerboard. Professional violinists pay less attention to this principle. Novice player’s complying with this principle, in preliminary stages of training, has several…
Read More »

Principles of Violin Playing (VIII)

1.5.1.3.sometimes, a player, due to different reasons, may decisively want to play continuously two notes with a half-step by means of the same finger, in such a case, it’s necessary to open the interior curve of the finger like a spring. Naturally coming back, the curve of finger should be closed and the finger should become curved shape again (see paragraph 3.1.2.1).

The Mystery of Messiah

Antonio Stradivari (1644 – 18 December 1737) was an Italian luthier and is considered the most significant and greatest artisan in this field.

Whose dream?! Whose reality?!

(A review of the “So Faraway” album; Tar and Tonbak duet; Siavash Imani, Pedram Khavarzmini)

New Technique for Playing Classical Guitar (II)

When the author was working on the piece “Playing Love” by Ennio Morricone (from the legend of 1900), he realized a failure of the Lip Technique. Needing to play a chord in the 14th position of the guitar and in order to complete the harmony, it is necessary to play a harmonic note on the 7th or 5th position; it was not possible to touch the string to play this harmonic note, because the Lip Technique is used for getting the notes and not to touch the string and producing harmonic notes. Naturally, the only possible way to touch the string was to use the nose at the required position and playing the note with the right hand, and this was the best option the author found to how to play such harmonic notes, and where the Nose Technique was generated.

Interview with the Makers of the New Qeychak (III)

In this project, my specialized responsibility  was the basic drawings of the desired instrument with the help of engineering and mechanical software.  I have also the carried out phases related to engineering designs, related variables, and volume and weight calculations under Mr. Ziaei’s direct supervision from the very beginning. Regarding the challenges of this work, suffice it to say that the set of designs for the instrument lasted more than 9 months in the final stage of the project only.

The Structure of Kurdistan Daf (II)

With its simple physical structure and captivating sound, the Daf never belonged to a particular culture or location, and every nation had different usages for this instrument considering their dominant customs and traditions.