Fereydoun Shahbazian, An Iranian Musical Icon Passed Away

A Musical Legacy
Fereydoun Shahbazian, the renowned Iranian composer, passed away at the age of 82 due to respiratory illness in Tehran. His last significant activity was leading the National Orchestra before the appointment of Homayoun Rahimian.

Born in 1942 in Tehran, Fereydoun was immersed in music from a young age. His father, Hossein Shahbazian, a violinist and a Abolhassan Saba student, was a radio orchestra member. At just eight years old, Fereydoun began learning music by playing the violin under the guidance of Ataollah Khadem Misagh. He later studied with his Russian teacher, Serge Khotziv, until completing his primary education.
He continued his violin studies at night classes with Luigi Pasanari, the concertmaster of the Tehran Symphony Orchestra at the time. At eighteen, he joined the Tehran Symphony Orchestra under the baton of Hashmat Sanjari and subsequently collaborated with the Golha Radio Orchestra.

**The Maestro Behind Iconic Collaborations
During Houshang Ebtehaj and later by Javad Maroufi’s management of the radio music, Shahbazian became a key figure in the organization. It was during this time that he began his serious work as a composer, producing pieces featuring artists such as Elahé, Pari Zangeneh, Shajarian, and Nader Golchin.

In 1976, he was appointed the conductor of the radio choir and symphony orchestra and collaborated with Ahmad Shamlu and Shajarian to record a joint album titled “Rubaiyat of Khayyam,” which remains one of his most beloved works. He also composed music for several albums featuring Ahmad Shamlu and Houshang Ebtehaj

*A Pioneer of Post-Revolutionary Classical and Pop Music
After the revolution in the 1980s, Shahbazian turned his talents to film scoring. He was actively involved in radio councils from the early years of the Islamic revolution and produced numerous musical works that were composed polyphonic and had arranged to have multi-parted harmonies. Among his most significant and best-selling works are the albums “Soroush Asmani” and “Charkh e Gardoon,” based on compositions by Ali Tajvidi, featuring vocal performances by Ali-Asghar Shahzidi and “Bouye Gol (Shabahang)” sung by Abdolhossein Mokhtabad.

Shahbazian’s experience in radio music before the revolution positioned him to initiate an influential movement in post-revolutionary pop music during the early 1990s. Consequently, many have dubbed him the father of post-revolutionary pop music. He also played a crucial role in introducing several pop singers, particularly Mohammad Esfahani, to the music community.

Fereydoun Shahbazian held the baton of the National Orchestra of Iran from September 2016 until April 2019. After resigning from his artistic management and permanent leadership role, he was appointed as a music consultant for the Rudaki Foundation, from which he also stepped down on May 21, 2019.

In April 2021, while recording music for the television series “Yavar,” Shahbazian suffered fractures in his right hand and pelvis. After being transferred to the hospital, despite needing immediate surgery due to the urgency of preparing music for the series broadcast, he refused hospitalization and surgery at the insistence of the “Yavar” production team and completed the music for five episodes before undergoing surgery.

Fereydoun Shahbazian had been hospitalized recently due to respiratory issues and passed away on January 12, 2024, due to acute respiratory complications.

Post a Comment


Warning: Undefined variable $user_ID in C:\host-websites\harmonytalk.com\domains\en.harmonytalk.com\www\wp-content\themes\harmonytalk\comments.php on line 93
Required fields are marked *
*
*
Your email is never shared.

Parva, Iranian Singer, Passes Away!

Parva, a singer of Iranian music, has passed away after a period of illness. In recent years, she had been residing in both Iran and Austria.

Iraj Passes Away!

Iraj (Hossein Khajeh-Amiri), born on January 1, 1933, in Natanz, and one of the most renowned figures in Iranian vocal music, passed away at the age of 94 after several months of illness. He was born into an artistic and cultivated family; his ancestor was a celebrated singer during the era of Nasser al-Din Shah Qajar, and his father, who himself possessed a fine voice and was well-versed in the radifs (modal systems) of Persian music, devoted years to training his son’s voice. In his early youth, Iraj also participated in Ta’ziyeh (religious passion plays) and learned the subtleties of vocal performance step by step from Ta’ziyeh performers who had mastered the radifs and modes.

From Past Days…

“I Will Never Perform Just for Women!”: Golnoush Khaleghi Passes Away in Exile

Golnoush Khaleghi, first Persian woman conductor and daughter of legendary composer Rouhollah Khaleghi, passed away on February 14. She was 80. Golnoush Khaleghi was the conductor of the NIRT (National Iranian Radio & Television) Choir in the 1970s. Shortly after the 1979 Islamic Revolution Ms. Khaleghi moved to the United States and founded the Rouhollah…
Read More »

Transition to Enlightenment: Six Lectures on Mozart’s String Quartets (2)

Innovation and Creativity The Enlightenment era championed innovation, creativity, and the relentless pursuit of knowledge, values that resonate prominently in Mozart’s string quartets. Mozart, a luminary of the Enlightenment, used the quartet form as a playground for his inventive spirit, pushing the boundaries of traditional structures and harmonic progressions. Mozart’s innovative approach is evident in…
Read More »

“Guitar Memories” Released

The album “Guitar Memories” consists of the performance of baroque to recent era masterpieces, by Mehrdad Mahdavi, and is published by Tanin-e Honar Publication.

In this album there are pieces composed and arranged by artists such as: Sylvius Leopold Weiss, Johann Anton Logy, Fernando Sor, Yuquijiro Yocoh, Leo Brouwer.

Ali Rahbari & Recording Iranian Symphonic Compositions

In the few days prior to the New Iranian year (March 2015), the news of the revival of Tehran Symphony Orchestra under Ali (Alexander) Rahbari’s conductorship was announced. Ali Rahbari, who served as assistant to Herbert von Karajan in Berlin Philharmonic Orchestra at a very young age, was also invited to conduct Tehran Symphony Orchestra in 2005; however, the election of Mahmoud Ahmadinejad’s government put an end to his collaboration with this Orchestra. Recently, it was announced that Rahbari is invited to conduct an orchestra in the U.S.

Iranian Fallacies – School of Vaziri

Iranian Fallacies – School of Vaziri

The term “School of Vaziri” is often used in writings on Iranian music, but the exact meaning of the term is not clear; some of the authors have used the term to only refer to the group of Vaziri’s students, including a large group of his conservatory students and his Tar students such as Abolhassan Saba, Rouhollah Khaleghi, Ahmad Foroutan Rad, Hossein Sanjari, Heshmat Sanjari and others. But can we consider all Vaziri’s students as followers of his school of thought? This is definitely a mistake, because we know that some of Vaziri’s students have chosen a completely different path than that of Vaziri.

Farhad Poupel (photo: Radafra)

Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

Principles of Playing Violin (VI)

B. applying force: the force needed for putting finger on finger board is applied through finger tips and using the rest of hand set especially wrist is not allowed. To practice this, it is possible to hold violin without the bow and throw the fingers on the finger board from 1-2cm distance; apply force only through finger tips.

Qanun, a feminized instrument?

In the world music culture, there are instruments which were traditionally associated with a certain gender. It remains disputable to what extent these gender-based perceptions have been logical and scientific. For example, as playing wind instruments need more breath strength and the public opinion believe that men have stronger breath compared to women, these instruments are predominantly a male domain. Harp is also considered a female instrument as the public opinion believe that women have finer fingers and can therefore better perform nuances and delicate techniques on the instrument.

Principles of Violin Playing (III)

Violin players should always pay attention to the proper position of the left thumb and other points related to it and to its joining point to the palm.

Interview with Farhad Poupel (I)

Born in Isfahan, Iran, and based in the UK, Farhad Poupel’s music has been performed and will be performed in numerous prestigious concert halls and festivals throughout the world including Suntory Hall in Tokyo, Japan; La Roque-d’Anthéron Piano Festival, La Roque-d’Anthéron, France; Biarritz Festival, Biarritz, France; Stoller Hall, Manchester, UK; Janacek academy of music and performing art, Brno, Czech Republic; Karlskrona International Piano Festival, Karlskrona, Sweden; by distinguished artists such as Kotaro Fukuma, Peter Jablonski, Daniel Grimwood, Margaret Fingerhut, Catherine Carby, Kristýna Znamenáčková,Jeffrey Biegel, Jean-Francois Bouvery and orchestras such as Windsor Symphony Orchestra or broadcasted on the NPR Radio 4, Netherland. The following is an interview with him on the ocaasion of the premier of the Legend of Bijan and Manijeh.