Kayvan Mirhadi and O.R.P Qaurtet

Establishing O.R.P. Quartet is Kayvan Mirhadi’s latest activity as a guitarist, composer and conductor of Kamerata Orchestra. Besides working with this Quartet, Mirhadi is busy these days recording and mixing some of his own works as well as some pieces by 20th century composers. O.R.P Quartet performed a concert in Rasht, Gilan Province in late May 2016 and offered a master class.
A description of the establishment and the performance of the orchestra along with its members brief biographies follows:
Ordinary Routine People Quartet (O.R.P Quartet)
Kayvan Mirhadi: Classical Guitar
Amin Nili: Double Bass
Farzam Hassani: Drums
Matin Ladani: Piano
O.R.P quartet was founded in 2013 to perform French Claude Bolling’s Guitar Concerto exclusively. Kayvan impressed by this work began to work on his first album in exactly the same ensemble of Bolling’s. So he released an experimental – Jazz “LIKOO” through the label “OIDO records” in 2013.
Matin (24) is the youngest among us and is originally a superb classical pianist and the winner of the first prize of “International Fadjr Music Festival”. Farzam (25) is a CEO of a Tour Agency and holds a degree in engineering. Amin (31) is an IT expert who has been focusing on playing double bass. He plays guitar as well as the double bass. Kayvan (56) holds an M.A. in arts research methodology and is the eldest member of the Orchestra. Kayvan is former professor at various Iranian universities and music colleges. He is considered as a member of the second generation of Iranian classical guitarists.
Claude Bolling’s Guitar concerto is one of the best examples amongst its peers. The trend was popular during 60s and 70s in Europe and although the neo classical approach is being merged with Jazz, Blues and Swing but the catchy hybrid ambient is unique. It is interesting to know that the other Bolling’s works which he wrote for the best performers of the time convey a “suite” title and not a “concerto”. Virtuosos like J.P.Rampal, M. Andre, YoYo Ma and P. Zukermasn collaborated for the recordings of the suites along with Bolling.
The guitar concerto is dedicated to the late “Alexandre Lagoya” then the Spaniard Guitarist Angel Romero instigated the “Finale” and finally the seven – part concerto was officially released in 1978.
Hoagland Carmichael (US/1899-1981) along with Duke Ellington and Scott Joplin is one of the three greatest American Jazz musicians of the 20th century. His career was divided into three main and influential periods. “Hoagy” a Jazz Maniac, first released his album with Louise Armstrong. He spent the second period of his life in Georgia, south east of the US where he was wandering with the great musicians.
The album “Under the Missouri Sky” is one of the memorable and extrovert of the kind of Pat Metheny and late Charlie Haden. It contains a series of amazing duos for double bass and guitar. It is worth mentioning that the prominent flamenco guitarist “Tomatito” also has an impressive and warm version of this track.
Born in the US Andrew York (60) is still performing world class and releases his videos and tracks. There was a time when “John Williams” performed his “sunburst” and after that Andy was popular around the world. He has been performing and composing in L.A quartet for a while and his compositions are standards in classical guitar repertoire and music festivals.

Post a Comment

Required fields are marked *
*
*
Your email is never shared.

Leading the Charge in Censorship

Davoud Pirnia, writer and musicologist was the founder of “Golha” (Flowers of Persian Song and Music) programs on Tehran Radio (1956-1966). He received his early education from his father, Hassan Pirnia (Moshir al-Douleh), and several tutors of the time (Taraghi, interview, July 1989) and continued his studies at Saint Louis School in Tehran and then in Switzerland and graduated in law. While studying law, Pirnia got acquainted with European classical music. Upon returning to Iran, he was employed by the Ministry of Justice and founded the Lawyers’ Guild. Then he was transferred to the Ministry of Finance and established the Department of Statistics in this ministry. Later, he became the head of the state inspection office at the Prime Ministry; he was, then, promoted to the position of the Deputy Prime Minister (Navab Safa, interview, August 1999)

The Legacy of Khosrow Jafarzadeh

This year marks the fifth anniversary of the passing of Khosrow Jafarzadeh (Khosrow Djafar-Zadeh), a distinguished architect and pioneering researcher of Iranian music, whose contributions to the magazine “Harmony Talk” have left an indelible mark on the field. The absence of this remarkable individual has significantly impacted the expansion and advancement of his theories, which are heralded as some of the most progressive in the history of Iranian music

From Past Days…

Principles of Violin Playing (VII)

4.3.1.3 Regarding the great linear distance and the unusual distance between the first and forth fingers, the first finger while playing the doubles of ninth and tenth interval, can be twisted in the knuckle area and the point mentioned in 3.1.2.5 paragraph in relation to the way first finger is placed indicating that the first joint of this finger in back of hand must be in line with the direction of forearm and left hand is not true here.

Ruggero Chiesa’s Legacy

Written by Peyman Shirali Translated by Mahta Mottaghi Since many years ago, I had the intention of writing an article on the Italian maestro Ruggero Chiesa and his musical life; but his ingenuity and the immense legacy, which is impressive for not only me, but also almost everyone who knows him properly, made it hard for me…
Read More »

The Structure of Kurdistan Daf (III)

“Our ancestors believe powerful blows upon the Daf scatters evil spirits of disease and distress to create a clean and holy space filled with health and prosperity. Adding tools to Daf increases this instrument’s purification, spreading, and summoning powers of evil forces and goddesses. Daf was mostly depicted by red, color of blood, in ancient times or sometimes it was depicted with green, the color of plants and nature. There were probably some mysterious designs painted upon the wooden body and frames of these instruments just like today” (Pahlavan, 2013: 44).

Transition to Enlightenment: Six Lectures on Mozart’s String Quartets (1)

Transition to Enlightenment: Six Lectures on Mozart’s String Quartets* Basic Ideas and General Structure The Enlightenment, an epoch of intellectual fervor marked by reason, individualism, and cultural evolution, indelibly left its imprint on the arts. Mozart, a luminary of this transformative era, intricately wove these ideals into his compositions, particularly his string quartets. This article…
Read More »

A combination of technique and musicality in the fingers of a pianist

In the world of classical music, the position of soloist has always been exceptional. Apart from the technical ability that many orchestral musicians also have, the soloist must also have a special power to be able to present a different and unique perspective of a piece. The soloist must maintain its special power of expression not only in solo roles but also when interacting with the orchestra.

Layla Ramezan, Iranian Pianist

Iranian pianist Layla Ramezan has always sought to create a connection between her Persian origin and the contemporary music which she encounters daily. Sound, phrasing, a particular sense of rhythm and a refined understanding of the “time of musical development” are the foremost qualities of her interpretations. Her musical and pianistic education began in Tehran at the age of 8 with Mostafa-Kamal Poortorab. Having moved to Paris and received a scholarship from Albert Roussel Foundation, she integrated the classes of Jean Micault and Devi Erlih at the Ecole Normale de Musique de Paris Alfred Cortot, where she received a Diplôme de Virtuosité in piano performance and chamber music.

New Technique for Playing Classical Guitar (I)

Joint application of the two techniques of “Lip” and “Nose” could be effectively applied for hearing and playing far-away intervals, by the Classical Guitar. Before this, a Classical Guitar player had to waive playing intervals not possible with the left hand, and had to replace or eliminate some notes, making it possible to play such intervals; specifically the capability of the left hand of the musician, was also a factor in such a selection. These methods are hereby illustrated by photographs and a video-file, in order to provide optimum comprehension of applying these methods, invented by the author; specifically the “Lip” technique, which is considered to be a more significant technique, emphasized by the author.

Kayvan Mirhadi and O.R.P Qaurtet

Establishing O.R.P. Quartet is Kayvan Mirhadi’s latest activity as a guitarist, composer and conductor of Kamerata Orchestra. Besides working with this Quartet, Mirhadi is busy these days recording and mixing some of his own works as well as some pieces by 20th century composers. O.R.P Quartet performed a concert in Rasht, Gilan Province in late May 2016 and offered a master class.

Iannis Xenakis’ Persephassa

Shiraz Arts Festival which was held in Shiraz from 1967 to 1977 featured many contemporary renowned artists who were commissioned by the Iranian royalty to compose or create works of art for performance in the arts festival. Iannis Xenakis (1922-2001) participated in Shiraz Arts Festival three times in 1968, 1969 and 1971. The Greek-French composer,…
Read More »

HarmonyTalk Celebrates 11th Anniversary

April 6 marks the anniversary of launching HarmonyTalk.com. Back in 2004, HarmonyTalk was rather a blog dedicated to music. Gradually, however, it found its way to becoming a more sophisticated journal with an intensive but not exclusive concentration on classical music.