Establishing O.R.P. Quartet is Kayvan Mirhadi’s latest activity as a guitarist, composer and conductor of Kamerata Orchestra. Besides working with this Quartet, Mirhadi is busy these days recording and mixing some of his own works as well as some pieces by 20th century composers. O.R.P Quartet performed a concert in Rasht, Gilan Province in late May 2016 and offered a master class.
A description of the establishment and the performance of the orchestra along with its members brief biographies follows:
Ordinary Routine People Quartet (O.R.P Quartet)
Kayvan Mirhadi: Classical Guitar
Amin Nili: Double Bass
Farzam Hassani: Drums
Matin Ladani: Piano
O.R.P quartet was founded in 2013 to perform French Claude Bolling’s Guitar Concerto exclusively. Kayvan impressed by this work began to work on his first album in exactly the same ensemble of Bolling’s. So he released an experimental – Jazz “LIKOO” through the label “OIDO records” in 2013.
Matin (24) is the youngest among us and is originally a superb classical pianist and the winner of the first prize of “International Fadjr Music Festival”. Farzam (25) is a CEO of a Tour Agency and holds a degree in engineering. Amin (31) is an IT expert who has been focusing on playing double bass. He plays guitar as well as the double bass. Kayvan (56) holds an M.A. in arts research methodology and is the eldest member of the Orchestra. Kayvan is former professor at various Iranian universities and music colleges. He is considered as a member of the second generation of Iranian classical guitarists.
Claude Bolling’s Guitar concerto is one of the best examples amongst its peers. The trend was popular during 60s and 70s in Europe and although the neo classical approach is being merged with Jazz, Blues and Swing but the catchy hybrid ambient is unique. It is interesting to know that the other Bolling’s works which he wrote for the best performers of the time convey a “suite” title and not a “concerto”. Virtuosos like J.P.Rampal, M. Andre, YoYo Ma and P. Zukermasn collaborated for the recordings of the suites along with Bolling.
The guitar concerto is dedicated to the late “Alexandre Lagoya” then the Spaniard Guitarist Angel Romero instigated the “Finale” and finally the seven – part concerto was officially released in 1978.
Hoagland Carmichael (US/1899-1981) along with Duke Ellington and Scott Joplin is one of the three greatest American Jazz musicians of the 20th century. His career was divided into three main and influential periods. “Hoagy” a Jazz Maniac, first released his album with Louise Armstrong. He spent the second period of his life in Georgia, south east of the US where he was wandering with the great musicians.
The album “Under the Missouri Sky” is one of the memorable and extrovert of the kind of Pat Metheny and late Charlie Haden. It contains a series of amazing duos for double bass and guitar. It is worth mentioning that the prominent flamenco guitarist “Tomatito” also has an impressive and warm version of this track.
Born in the US Andrew York (60) is still performing world class and releases his videos and tracks. There was a time when “John Williams” performed his “sunburst” and after that Andy was popular around the world. He has been performing and composing in L.A quartet for a while and his compositions are standards in classical guitar repertoire and music festivals.
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From Past Days…
The present series of training articles, “Principles of Violin Playing”, seek to help students, to appropriately understand this field, by gradually introducing, categorizing, and teaching the myriad relevant points. One of the principles of playing violin, which must be always kept in mind, is that the selection of the most natural position for the body parts while playing is the best and most appropriate solution. As a matter of fact, any unnatural body part position which requires lots of energy or unusual stretching to maintain, is wrong.
As such, the young Meshkatian reached the position of a great maestro in the Iranian music. Up until 1997, Meshkatian remained prolific and composed many pieces which were characterized by progressiveness while drawing on the music of the past Iranian musicians. In some of Meshkatian’s works, one can trace the influence of maestros such as Faramarz Payvar; however, this influence is so balanced that one can neither say that Meshkatian is a progressive and deconstructionist composer nor does he use cliché forms in his compositions.
With regard to each polyphonic form, only one specific and distinguished example is analyzed. These polyphonic forms are as follows:
April 6 marks the anniversary of launching HarmonyTalk.com. Back in 2004, HarmonyTalk was rather a blog dedicated to music. Gradually, however, it found its way to becoming a more sophisticated journal with an intensive but not exclusive concentration on classical music.
The National Instruments Orchestra of Iran performed its first concert amid much hope and anxiety on July 18, 2015. The Orchestra is founded by Roudaki Cultural and Arts Foundation which is a semi-private foundation in Iran. The Arts Director for the National Instruments Orchestra of Iran is cand the Orchestra Executive Director is Sadjad Pourghand.
Sima Bina (b. 1945) is a unique singer among the singers of Golha radio programmes which were broadcast on Iranian National Radio for 23 years from 1956 to 1979. She received her first lessons in music from her father who was a poet, a musician and the most important supporter of Sima’s cultural activities.
The “Pledge of Love” is the first album in a series composed based on the tasnifs by the renowned Iranian tasnif-maker Mohammad Ali Amir Jahed and recorded by Sahba Kohan Ensemble with Ramin Bahiraie as signer.
Farshad Sanjari, one of the most renowned Iranian conductors in the 1970s in Iran died after fire broke in his apartment in Vienna on November 22, 2019. Farshad Sanjari was not involved in politics; however, he was one of the victims of the Iranian Islamic Revolution in 1979. After the victory of the Islamic Revolution, his name was never seen as the conductor of any programmes.
220.127.116.11.sometimes, a player, due to different reasons, may decisively want to play continuously two notes with a half-step by means of the same finger, in such a case, it’s necessary to open the interior curve of the finger like a spring. Naturally coming back, the curve of finger should be closed and the finger should become curved shape again (see paragraph 18.104.22.168).
One of the most important criteria for measuring the quality of a piece of classical music is number of times the piece has been performance by different ensembles and orchestras in different eras. This belief has become so pervasive in some societies, such as Iranian society, that it is considered the only criterion for measuring the quality of a piece of classical music.