The response of the fired musicians to the interview of the managing director of Rudaki Foundation

1 August 2023 – 1:13 pm Posted in Articles' List, Iranian Classical Music, News

Following an interview by Mehdi Salem, the director of the Rudaki Foundation, with the “Our Music” website, a response from the fired musicians was published in response to this conversation, which you read:
The National Symphonic Orchestra is not a place to discover talent Mr. Mehdi Salem, greetings and respect Since a few days ago, an interview with you was published by the “Our Music” website, some issues were discussed that surprised the experts and other readers and the reader’s mind goes to this side that your advisers deliberately or inadvertently knowingly or unknowingly have a wrong and misleading purpose. Therefore, we decided to accompany you as experts in this profession and art and those who have studied music in high school and university for nearly 20 years and have been present in the highest artistic degree of the country, namely the symphony orchestra, and convey some issues to your esteemed opinion: 1- In none of the orchestras around the world, salaries are paid based on position and seat, but based on the years of presence of that musician and experience in the orchestra. This is a misconception that the seat of musicians is like paying for a ticket seat and position of the audience. The musicians’ protest was based on the wrong principle of this issue. 2- Regarding the selection of musicians by the orchestra leader, it should be noted that any leader, especially the invited leader, cannot select an orchestra musician because the musicians are fixed orchestra hosts and guest leaders and incidentally this issue is reversed and this orchestra leader is first as a guest leader in one concert will be present and by the musicians and then according to the satisfaction of the audience will be selected for example selection of leader by musicians of Berlin Philharmonic Orchestra is an example in this case.

Another issue that is worth mentioning is the examination of the orchestra in the whole world, in no orchestra in the world does the main body of the orchestra change since each city in each country has several orchestras of parliament, symphony philharmonic, ballet and opera One musician from one orchestra to another orchestra based on taste or better income changes location and does not lose his job.

Also, musicians retire after 30 years of being in the orchestra, so the orchestra directors publish a call for only one or more specific positions and vacant posts in the orchestra.
Expressing the issue that the Rudaki Foundation seeks to discover
talent; In the mind of the audience, reminiscent of talent show programs, but the symphony orchestra of the countries is not a place to discover talent, but every musician must go through the difficult way of studying this art and grow from the conservatory and music conservatory under the supervision of caring and professional teachers, continue his studies at the university and then, with a single exam in front of a jury made up of the musicians of the same orchestra, get into the orchestra and enter the professional world alongside other experienced musicians.
Pay attention to the Berlin Philharmonic Orchestra, which is one of the most professional orchestras in the world. In a country like Germany with a population of 84 million or America with a population of 340 million people, are there no other talents that can find their way to the mentioned orchestras?

They definitely have, but the directors know that the essence of an orchestra is that the musicians playing together and the experience of playing an orchestra and ensemble and harmony between the musicians, and the main body of the orchestra has a special value.

6- Since you mentioned receiving the musicians’ salaries during the Covid era, we must inform you that, as you know, the basis of musicians’ salaries is not based on the salaries of an expert in a profession and field; Rather, it is the lowest base salary and based on labor rights, and it should be noted that in 2014, the Rudaki Foundation did not pay the salaries and insurance of the musicians in full, and this year was not counted as part of their work records. What is the orchestra like in Germany? The interview of the main orchestra player and tympanist of one of the most professional orchestras in Germany (Gwandhaus Leipzig Orchestra) explains the correct method and the rule of the orchestra that is common in the world. You know that after 6 months of trying to improve the current situation, unfortunately, we faced the narrow-mindedness of the orchestra’s management, and contrary to the respected opinion of the Rudaki Foundation, none of them were looking for blackmail, but only sympathetic and concerned about the plight of the situation. We are the Tehran Symphony Orchestra.

This entry was written by HarmonyTalk
Tagged: Tehran Symphony Orchestra.

Celebrating 20 Years of Harmony Talk’s Journey: Resilience, Evolution, Honoring the Legacy and Navigating Future Growth

In a momentous celebration of two decades, the “Arasbaran Cultural Center” was the stage for the 20th anniversary of “Harmony Talk”, an online journal that has become a cornerstone in the music community. Sadjad Pourghanad, the editor-in-chief, delivered a speech that resonated with gratitude and vision.

HarmonyTalk Journal’s Twentieth Anniversary Celebration

On the 10th of Khordad, 1403 (equivalent to May 30, 2024), the twentieth anniversary celebration of the online journal “HarmonyTalk” took place at the Ersbārān Cultural Center. The event garnered such interest from enthusiasts that the venue was completely filled.

Latest posts

From Past Days…

Principles of Violin Playing (VIII)

1.5.1.3.sometimes, a player, due to different reasons, may decisively want to play continuously two notes with a half-step by means of the same finger, in such a case, it’s necessary to open the interior curve of the finger like a spring. Naturally coming back, the curve of finger should be closed and the finger should become curved shape again (see paragraph 3.1.2.1).

Interview with Farhad Poupel (I)

Born in Isfahan, Iran, and based in the UK, Farhad Poupel’s music has been performed and will be performed in numerous prestigious concert halls and festivals throughout the world including Suntory Hall in Tokyo, Japan; La Roque-d’Anthéron Piano Festival, La Roque-d’Anthéron, France; Biarritz Festival, Biarritz, France; Stoller Hall, Manchester, UK; Janacek academy of music and performing art, Brno, Czech Republic; Karlskrona International Piano Festival, Karlskrona, Sweden; by distinguished artists such as Kotaro Fukuma, Peter Jablonski, Daniel Grimwood, Margaret Fingerhut, Catherine Carby, Kristýna Znamenáčková,Jeffrey Biegel, Jean-Francois Bouvery and orchestras such as Windsor Symphony Orchestra or broadcasted on the NPR Radio 4, Netherland. The following is an interview with him on the ocaasion of the premier of the Legend of Bijan and Manijeh.

Simorgh Criticised

Simorgh (Simorq) Orchestra was founded by the renowned Iranian composer, Hamid Motebassem, in 2011. Simorgh Orchestra is the largest orchestra featuring Iranian national instruments. Although the orchestra established by Master Hossein Dehlavi, the great Iranian composer, in 1993 was larger than Simorgh Orchestra, it only featured the Iranian plucked string instruments unlike the latter one. The first album which was recorded by the Orchestra, conducted under Motebassem’s baton, was his Simorq based on Zal story from Shahnameh by Ferdowsi, the great Iranian poet.

Prominent Iranian Musicologist Passes Away in Vienna

Khosrow Djafarzadeh, musicologist and architect, who was also one of the main authors of HarmonyTalk journal passed away on 15 July 2019.

Polyphony in Iranian Music (VI)

Torqeh or jal is the same bird (Bimaculated lark) and is the name of a muqam which is well-known in Torbate Jam and those areas. Jal muqam is called Torqeh in Esfarayen and Bojnourd. This muqam which was used to be played by Bakhshis/Bagşies (dutar-players) in the past is seldom performed today.

Qanun, a feminized instrument?

In the world music culture, there are instruments which were traditionally associated with a certain gender. It remains disputable to what extent these gender-based perceptions have been logical and scientific. For example, as playing wind instruments need more breath strength and the public opinion believe that men have stronger breath compared to women, these instruments are predominantly a male domain. Harp is also considered a female instrument as the public opinion believe that women have finer fingers and can therefore better perform nuances and delicate techniques on the instrument.

“The Art of Silence” Project Will be Released

Shaahin Mohajeri, the award-winning Iranian microtonal compose, has contributed to The Art of Silence is an international project which features unpublished pieces by microtonal composers from Iran, Japan, the United States, and other countries.

Music education in third-world countries

Music education in third-world countries is facing many problems that limit access to it and it’s full of challenges. These rising and falling obstacles are made of the socioeconomic, cultural educational systems, etc.

The Role of Arts in Development of Societies

Mr. Mohsen Ghanebasiri, author and critic in the field of economy, culture and arts, as the next speaker, highlighted the role of arts, specially the music, in development of societies: “As far as the individual upbringing is concerned, a newborn baby is absolutely dependent. The relation between the baby and the parents is based on orders. There is lots of relativity in these orders; therefore, they are political orders. In the economy, however, the relations are mutual and based on common logic; hence, the formation of the concepts of democracy and individuality.

Principles of Violin Playing (II)

Since for playing violin, it’s necessary that the playerâ€™s palms and fingers be inclined toward the fingerboard, therefore, the player, while bringing up his hand, should turn it toward the fingerboard.