Hossein Aslani passed away!

1 February 2020 – 11:52 am Posted in Contemporary Music, Iranian Classical Music, Jazz - Blues, Western Classical Music

Hossein Aslani, Iranian pianist residing in the US, passed away due to cancer in late January 2020. His last musical activity was an article written for Harmony Talk entitled “Iran amidst musical struggle” in 2016, his memoir entitled “I Play You Again” in the same year and his album “Symbolic Emotion” published by Arganoun Publications in 2014. Here is a brief biography of Hossein Aslani according to his own website:
Hossein Aslani was born in the village of Shahghaji in Gilan, Iran in 1936. After elementary education, he moved alone to Tehran. While completing his high school years and surviving for sustenance on labor-intensive daily jobs, he entered the music world by mastering accordion.

Listen to “Hope and Hopelessness” for Piano

Recommended by a close clarinet virtuoso friend the late Hossein Shahverdi, he entered the international conservatory of music in Tehran in Vahdat Hall in 1958. He was trained under the tutelage of renowned western classical music scholars of the era in piano by Tatania Kharatian, music theory and solfeggio by Fereidun Farzaneh, and harmony and orchestration by Houshang Ostovar. Hossein Aslani was also invited to join the national radio Iran as a composer, arranger and pianist in 1965.

Liaten to a part of the String Quartet

In an era when Pop music was still regarded as an artistic classic genre, Aslani was instrumental in popularizing it among the youth in particular, through his innovative polyphonic and independent melodic lines. He employed wind instrument ensembles, electric guitar and percussion. This was manifest through performances by the late vocalist Mohammad Nouri and many other singers of the era during 1968-71. Concurrently, with his professional endeavors, he has tirelessly continued piano instructions since 1960. Aslani’s first written composition was a piece for piano and orchestra, conducted by Feredun Shahbazian, and performed by the Grand National Radio Orchestra in 1971.

Listen to “A Shadow at Midnight” featuring Mohammad Nouri (singer)

This popular notoriety prompted Aslani’s involuntary emigration to New York U. S. A. and his trials and tribulations that followed in a foreign land. Committed for life to contemporary music as anchored on his intrinsic affinity and love for music, he earned his master’s degree in music composition from the State University of New York Conservatory of Music specializing in contemporary music and orchestration. His lifelong cooperation with his university mentors as Professors Dary John Mizelle and Joel Thome for 20th century harmony, Suzanne Farrin for music literature and critique, Steven Lubin for classic, Brady Brookshire and Stuart Isakoff for music analysis as perceived by the musicians and listeners, has continued.

Listen to “Moments of Solitutde” featuring Aref (singer)

His work has remained most inspired by the folkloric music of Gilan and other regions of his motherland Iran, combined with nostalgic melancholy of his early years as well as his extensive research of the works of renowned Master contemporary composers Charles Ives, Aaron Copland, Igor Stravinsky John cage, Bella Bartok, Leonard Bernstein and Houshang Ostovar. Aslani’s unique approach to contemporary music is deemed progressive; nonetheless, emanated from noble well rooted origins. This has thus far yielded a number of pieces and proses that are multidimensional and unimaginable at times.
Hossein Aslani’s firm belief in humanity and community, nurtured by his beloved mother Gilaneh, is heralded through his lifelong philanthropy, altruism and voluntarism.

This entry was written by HarmonyTalk
Tagged: .

Leading the Charge in Censorship

Davoud Pirnia, writer and musicologist was the founder of “Golha” (Flowers of Persian Song and Music) programs on Tehran Radio (1956-1966). He received his early education from his father, Hassan Pirnia (Moshir al-Douleh), and several tutors of the time (Taraghi, interview, July 1989) and continued his studies at Saint Louis School in Tehran and then in Switzerland and graduated in law. While studying law, Pirnia got acquainted with European classical music. Upon returning to Iran, he was employed by the Ministry of Justice and founded the Lawyers’ Guild. Then he was transferred to the Ministry of Finance and established the Department of Statistics in this ministry. Later, he became the head of the state inspection office at the Prime Ministry; he was, then, promoted to the position of the Deputy Prime Minister (Navab Safa, interview, August 1999)

The Legacy of Khosrow Jafarzadeh

This year marks the fifth anniversary of the passing of Khosrow Jafarzadeh (Khosrow Djafar-Zadeh), a distinguished architect and pioneering researcher of Iranian music, whose contributions to the magazine “Harmony Talk” have left an indelible mark on the field. The absence of this remarkable individual has significantly impacted the expansion and advancement of his theories, which are heralded as some of the most progressive in the history of Iranian music

Latest posts

From Past Days…

Polyphony in Iranian Music (VI)

Torqeh or jal is the same bird (Bimaculated lark) and is the name of a muqam which is well-known in Torbate Jam and those areas. Jal muqam is called Torqeh in Esfarayen and Bojnourd. This muqam which was used to be played by Bakhshis/Bagşies (dutar-players) in the past is seldom performed today.

A Look at Ali Tajvidi’s Manifold Musical Activities (I)

Ali Tajvidi (1920 – 2004), one of the most prominent Iranian musicians, passed away sixteen years ago. He was one of the most distinguished Iranian artists. To specify one of the fields in which he was unique, one can refer to Tasnif composition. A brief review of his manifold musical activities is presented below.

Principles of Playing Violin (IV)

Pattern No.3/1 Left hand finger Placement: 3/1/1: Landing Fingers on one String: In preliminary stages of training, an apprentice should pay attention to the principle of keeping fingers while placing them on the fingerboard. Professional violinists pay less attention to this principle. Novice player’s complying with this principle, in preliminary stages of training, has several…
Read More »

“Guitar Memories” Released

The album “Guitar Memories” consists of the performance of baroque to recent era masterpieces, by Mehrdad Mahdavi, and is published by Tanin-e Honar Publication.

In this album there are pieces composed and arranged by artists such as: Sylvius Leopold Weiss, Johann Anton Logy, Fernando Sor, Yuquijiro Yocoh, Leo Brouwer.

The Mystery of Messiah

Antonio Stradivari (1644 – 18 December 1737) was an Italian luthier and is considered the most significant and greatest artisan in this field.

A Note on the Occasion of Houshang Zarif’s Demise

No introduction is needed when talking about the position of the late Houshang Zarif (1938-2020) in the Iranian music. His character and personality are so well-known among musicians that his name per se is a symbol and role model for the Iranian youth. “Becoming Houshang Zarif” is the dream of many young people who enter the world of music in Iran and many of whom retire regretting the realisation of this dream.

A Miracle in the Iranian Music: About Tehran Flute Choir’s Eight-year Tenacity

Tehran Flute Choir is a 40-member orchestra of Iran’s best flutists; Iran’s best flutists? Yes! If you write down the names of the greatest Iranian flute players who participate at concerts and contribute to academic centers in Iran, you will see that most of them are among the choir’s members.

Motherland Orchestra Broke the Spell of the Covid-19 Restrictions

The Motherland Orchestra staged the first concert since the outbreak of the pandemic under the baton of Nezhat Amiri. The orchestra went on stage on December 23-24, 2021 in memory of Rouhollah Khaleghi and Golnoush Khaleghi at Vahdat Hall, Tehran, Iran. Since the pandemic outbreak, concerts were held online and restrictions were imposed on in-person concerts.

Gholam Reza Khan Minbashian: a pioneer in Iranian music (II)

Gholamreza Khan Minbashian taught courses such as organology, orchestration of military music and harmony based on the books which were translated from French into Persian with the help of Aliakbar Mozayyan-o-Dolleh (1846-1932).

Iranian Fallacies – School of Vaziri

The term “School of Vaziri” is often used in writings on Iranian music, but the exact meaning of the term is not clear; some of the authors have used the term to only refer to the group of Vaziri’s students, including a large group of his conservatory students and his Tar students such as Abolhassan Saba, Rouhollah Khaleghi, Ahmad Foroutan Rad, Hossein Sanjari, Heshmat Sanjari and others. But can we consider all Vaziri’s students as followers of his school of thought? This is definitely a mistake, because we know that some of Vaziri’s students have chosen a completely different path than that of Vaziri.