Interview with Farhad Poupel (II)

HT: Please tell us more about this piece and your background with this orchestra.
FP
: My acquaintance with the eminent American pianist, Jeffrey Biegel, was made through my piano work, Fantasia on One Note.
Fantasia on One Note was my first professional work for piano, which had its world premiere by the great pianist Peter Jablonski in Sweden, and it has been performed by various pianists in the UK, Germany, France, and the Czech Republic. The recording of this work has also been broadcast on the Dutch public radio, NPR Radio 4.
Since 1999, the prominent American pianist and professor at the Brooklyn Conservatory, Jeffrey Biegel, after working with Ellen Taaffe Zwilich, the first Pulitzer Prize-winning female composer, began to collaborate with the most prominent American composers on new commissions for solo and orchestra performances. This includes Kenneth Fuch, Richard Danielpour and… I was the first non-American composer that worked with him. After some talk, we came to the story of Bijan and Manijeh, and after my explanation about the Shahnameh, he suggested the use of the Persian choir. I myself did not expect to be able to use Ferdowsi’s poems in Farsi, so I eagerly accepted.
The Windows Symphony Orchestra in Canada was the first professional orchestra to perform my work, Zayandeh Rud for string orchestra in April 2019 (This work could have had its world premiere by Deutsche Radio Philharmonie; however, the concert was cancelled unfortunately). The orchestra performed Zayndeh Rud in seven concerts conducted by Daniel Wiley (Daniel Wiley is now the assistant conductor of the Cincinnati Orchestra and will soon be performing my Childhood Memories under his direction with the Cincinnati Youth Orchestra), and since then, I’m having a close relationship with this orchestra.
HT: Will this piece be performed by other orchestras as well?
FP
: Yes, it will be performed with Key Chorale in February 2024 in Florida. This work could have been performed with the Cincinnati Youth Orchestra, which unfortunately was cancelled due to planning for the choir, and the Childhood Memories will be performed instead. Probably, other orchestras will perform The Legend Bijan and Manijeh in the future, which will be announced.
HT: The complete audio file or the video of this concert has not been released yet; is there any reasons behind this
?
FP: Unfortunately, we have not yet been able to release the recording of the premiere footage due to specific laws in Canada and Ontario regarding the release of the recording. But the Florida performance of this work will be released.
HT: Have you been happy with this commission and will you continue working with them?
FP: Windows Symphony Orchestra is a professional and flexible orchestra (the premiere was done well with only two rehearsals), especially due to its conductor and music director, Robert Franz, who has previously worked with the Iranian composer, Behzad Ranjbaran.
HT: You are one of Dr. Mohammad Saeed Sharifian’s most successful pupils; do you still find his influence in your work
?
FP: You are very kind. He influenced me enormously, from composing to understanding music and even how to look at life.
A very significant point was his freedom in education so that each of his students has a different philosophy and style from each other. I had the honour of being his student for five and a half years and if I were born again, I would definitely repeat the same choice.

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Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

From Past Days…

Shaahin Mohajeri Wins UnTwelve Composition Competition

UnTwelve Non-profit Organization announced the results of its 2014/2015 composition competition on January 28, 2015. Shaahin Mohajeri, an Iranian Tonbak player, microtonalist, acoustician and composer, was awarded the second prize for his piece “Castle of Babak.”

Farhad Poupel’s piece, Road to Bach, performed at Suntory Hall

On June 19, 2021 , young Iranian composer and pianist, Farhad Poupel’s piece, Road to Bach, was performed at the prestigious Suntory Hall by the great Japanese pianist, Kotaro Fukuma. The piece was commissioned by Kotaro Fukuma to have its world premiere in Suntory Hall during a concert by the same name.

Is the Iranian National Anthem a Copy? (I)

The alleged similarity between the Iranian and South Korean National Anthems has been a matter of discussion among musicians in Iran for several years. Earlier in 2021, the issue was taken to the media again with not only claims that the anthem is very similar to another song but also the suggestion that its musical content should draw more on the Iranian national music. Some even went to the extent to suggest replacing it with the song “O, Iran” composed by the late Rouhollah Khaleghi. Before delving more into the main issue, it would not go amiss to consider some technical characteristics of the song “O, Iran” composed in 1944.

Journey to Iran Revisited: Celebrating 20 Years of Guity Adjoodani’s Return to Persian Roots

This year marks the 20th anniversary of “Journey to Iran,” an album by Iranian pianist Guity Adjoodani that has resonated with audiences worldwide. Released two decades ago, this album is a beautiful tapestry of twenty Persian folk songs, each carefully selected from the rich musical traditions of various regions in Iran. It also features four notable compositions by the esteemed Javad Maroufi (1915-1992): “Prelude,” “Jila Fantasia,” “Golden Dreams” (Khaab-haa-ye Talaayi), and “Isfahan Rhapsody.” Additionally, the album includes the beloved song “Kiss Me” (Maraa Bebous) by Majid Vafadar (1912-1975), adding depth to an already impressive collection.

Simorgh Criticised

Simorgh (Simorq) Orchestra was founded by the renowned Iranian composer, Hamid Motebassem, in 2011. Simorgh Orchestra is the largest orchestra featuring Iranian national instruments. Although the orchestra established by Master Hossein Dehlavi, the great Iranian composer, in 1993 was larger than Simorgh Orchestra, it only featured the Iranian plucked string instruments unlike the latter one. The first album which was recorded by the Orchestra, conducted under Motebassem’s baton, was his Simorq based on Zal story from Shahnameh by Ferdowsi, the great Iranian poet.

Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

The First Saba Student Music Festival Concluded in Tehran

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A note on “Illusion or Ingenuity” article

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From the Last Instrumentalist to the First Composer (II)

Rouhollah Khaleghi was the master of composing beautiful melodies. He was the premier of the course of history which was first established by Ali Naghi Vaziri and which improved the Iranian music from simply a gathering music to the classical music of the country. First efforts to compose independent and instrumental music can be also traced in Khaleghi’s works.

A Look at Ali Tajvidi’s Manifold Musical Activities (II)

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