The Structure of Kurdistan Daf (IV)

Researcher:
Mohammad Tarighat

Translator:
Fatemeh Alimohammadi

Daf Structure

The Structure of Daf in different cities of Iran has a great variety in terms of dimensions, components and even appearance; some of which are as follows:

– Square Daf, on which the skin was stretched either on one or both sides, with strings installed inside it and hazelnut-shaped bells were placed inside or outside the frame.

– Two-sided circular and two-sided square Daf on which the skin was stretched on both sides and the rings were installed inside or outside the frame.

– Octagonal Daf or “Dast koub” that had skin on one side and a number of bells inside the frame.

– Dodecagonal Daf on which the skin was stretched on one side and there were a few Malileh inside the frame and used a string to hold Daf while playing.

– Arabaneh, the use of this circular Daf is common in Yazd. Inside of this Daf, hazelnut-shaped bells were used instead of Malileh.

The structure and components of Dafs with natural skin in the Kurdistan region are:

1. Arch, frame, “Gharbali”;
2. Avazeh of Daf;
3. Thumb index;
4. Stud or tack;
5. Ring, chain, ” Malileh”,”Jalajal *”, “Khash khasheh or Rakht;
6. Hook;
7. Skin or leaf;
8. Leather or tarpaulin straps.

Dafs are evaluated for wood and skin (proper tanning, age-old, one-handed thickness, no white spots and color uniformity), distance of ring from skin, distance of ring from next ring, end cut of arch and connection to the skin, circular shape of the arch, Avazeh of Daf, the width of the arch, the correct cut of thumb index, the appropriate weight, and etc. Which ultimately leads to well-built and pleasant sound production.
Arch: In Kurdish, the arch of Daf is called “Chameh”, “Kama”, “Kamar” and “Kavaneh”. Behzad Naqib Sardasht wrote in his book named “Kurdish Music Organology “: Daf arch is made of walnut, plane tree, quince, and willow wood. The thickness of arch is about one to two centimeters, its width varies from five to ten centimeters and the diameter of Daf varies from 48 to 70 centimeters” (Naqib Sardasht, 2007: 295).

Arch is a wooden ring, made of grape wood and a Salicaceae such as: poplar, red willow, and etc. Diameter of arch can be between 50 and 60, its height is between five and six and a half, and a part that studs are on it should be between one and a half to two and two tenths of a centimeter (Mogharab Samadi, 2009: 77-78). In addition to the mentioned woods, Ali Asghar Nasrollahpour also mentions walnut, orange, and fig wood for the material of arch and he points out Daf circle diameter between 41 and 54 (Nasrollahpour, 2000: 73). Khaktinat also mentions wood of walnut trees, grape, ash** (Van, Benav, Benavch), quince, orange, and red willow (Khaktinat, 2005: 58).

Heidar Mohammadi – Daf maker – says: “The wooden body of the frame is made of wood of trees, such as: willow, in form of one layer; plane, grape, orange, and walnut in two layers and ash, maple, and berry in three layers; with a width between five to five and seven and in some cases up to seven centimeters and a length of two meters when it is circular, its diameter is about 53 to 57, which is common up to 60 cm; of course, usually for children and adolescents are made with smaller dimensions and less than 50 cm in diameter. The thickness of single-layer arch and bilayer varies between one and eight to two centimeters. The Avazeh of Daf also starts from the middle of the frame and gradually decreases to a thickness of two and a half to three millimeters” (Mohammadi, 1399).

 

______

* chime

** Fraxinus excelsior

Post a Comment

Required fields are marked *
*
*
Your email is never shared.

Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

From Past Days…

Homayoun Rahimian & Iran’s National Orchestra

The Roudaki Foundation presented the permanent conductor of the National Orchestra (Orchestr Melli), Homayoun Rahimian, in a ceremony, and finally, after four years, the national orchestra found a permanent conductor. Homayoun Rahimian is the fourth permanent conductor of this orchestra after Farhad Fakhreddini, Bardia Kiaras, and Fereidoun Shahbaziyan. He, who has previously had experience of conducting concerts besides being Meister’s concert of this orchestra, performed the concert “Autumns” on the 20th of Tir, performing works by Rouhollah Khaleqi, Javad Ma’roufi, and Hossein Dehlavi.

A brief examination of Ardavan Kamkar’s Santour playing style

I still think of those fish in a crystal bowl for the Haft sin table and those disappointed old men who went out to sell blackfish.

“Symphonic Poems from Persia” Released in Germany

While the name “Persia” (Western historical name of Iran) has attracted tens of thousands of people from around the world to London’s British Museum to visit ancient Persian artifacts, the Nuremberg-based music company, Colosseum, invites Europeans to listen to eight masterpieces of Persian symphonic music.

Interview with Farhad Poupel (II)

Fantasia on One Note was my first professional work for piano, which had its world premiere by the great pianist Peter Jablonski in Sweden, and it has been performed by various pianists in the UK, Germany, France, and the Czech Republic. The recording of this work has also been broadcast on the Dutch public radio, NPR Radio 4.

Bahma Rajabi Passed Away!

Bahman Rajabi, the renowned tonbak (Persian goblet drum) player and educator, passed away at his home at the age of 86 due to a heart condition. He was the founder of a distinctive school of tonbak playing, and his teaching methods have been widely used by instructors of the instrument for decades..

A Look at Ali Tajvidi’s Manifold Musical Activities (II)

Tajvidi thought of studying harmony and orchestration with Houshang Ostvar (who was eight years younger than him) at a time when he had gained a reputation among musicians. His humbleness, making him willing to kneel before the scholars at any age and position, became the key to his scientific success. After this period, Tajvidi made some of his works polyphonic, the most prominent of which is “Burn” set to a poem by Abdullah Ulfat. However, his ability to make his works polyphonic was not so great to make him self-sufficient; so he depended on musicians such as Farhad Fakhreddini, Fereydoun Naseri, Kambiz Roshanravan, Fereydoun Shahbazian and Morteza Hananeh for the arrangement of his compositions.

Layla Ramezan, Iranian Pianist

Iranian pianist Layla Ramezan has always sought to create a connection between her Persian origin and the contemporary music which she encounters daily. Sound, phrasing, a particular sense of rhythm and a refined understanding of the “time of musical development” are the foremost qualities of her interpretations. Her musical and pianistic education began in Tehran at the age of 8 with Mostafa-Kamal Poortorab. Having moved to Paris and received a scholarship from Albert Roussel Foundation, she integrated the classes of Jean Micault and Devi Erlih at the Ecole Normale de Musique de Paris Alfred Cortot, where she received a Diplôme de Virtuosité in piano performance and chamber music.

Simorgh Criticised

Simorgh (Simorq) Orchestra was founded by the renowned Iranian composer, Hamid Motebassem, in 2011. Simorgh Orchestra is the largest orchestra featuring Iranian national instruments. Although the orchestra established by Master Hossein Dehlavi, the great Iranian composer, in 1993 was larger than Simorgh Orchestra, it only featured the Iranian plucked string instruments unlike the latter one. The first album which was recorded by the Orchestra, conducted under Motebassem’s baton, was his Simorq based on Zal story from Shahnameh by Ferdowsi, the great Iranian poet.

Transition to Enlightenment: Six Lectures on Mozart’s String Quartets (1)

Transition to Enlightenment: Six Lectures on Mozart’s String Quartets* Basic Ideas and General Structure The Enlightenment, an epoch of intellectual fervor marked by reason, individualism, and cultural evolution, indelibly left its imprint on the arts. Mozart, a luminary of this transformative era, intricately wove these ideals into his compositions, particularly his string quartets. This article…
Read More »

Polyphony in Iranian Music (II)

With regard to each polyphonic form, only one specific and distinguished example is analyzed. These polyphonic forms are as follows: