“Guitar Memories” Released

 

The album “Guitar Memories” consists of the performance of baroque to recent era masterpieces, by Mehrdad Mahdavi, and is published by Tanin-e Honar Publication.

In this album there are pieces composed and arranged by artists such as: Sylvius Leopold Weiss, Johann Anton Logy, Fernando Sor, Yuquijiro Yocoh, Leo Brouwer.

Objective of performing these familiar masterpieces is particularly presenting sole capabilities of classical guitar for playing them.

These pieces resemble the pleasant memories of first music classes and the performer make an effort to share those fantastic and memorial feelings with audiences.

This album presents 12 pieces arranged for solo classical guitar, which was performed and recorded in Spring 2016.

For purchasing this unique album you can visit here.

Introducing Composers

Sylvius Leopold Weiss (1687 – 1750)

Composer and player of the German lute instrument in Baroque Era. Even today many consider him the greatest lute player of all times. By the year 1717 he became a member of the small orchestra of Dresden Kingdom of Germany. Later he went on many tours for performing in Dusseldorf, Munich, Vienna, Prague, and other cities. Weiss composed many pieces for solo lute.

Johann Anton Losy (1650 – 1721)

He was an aristocrat in Prague, playing and composing masterpieces for lute in the Baroque era. His works are a combination of Brisé (French) with Cantabile (Italian) styles. At the period when playing lute was most popular in Bohemia, he was probably among the best lute players and composers.

Fernando Sor (1778 – 1839)

Great Spanish guitar player and composer, born in Barcelona, celebrated by some as “the Beethoven of the guitar”. Besides compositions for guitar, he has written music for opera and ballet performances as well. With no doubt études provided by Sor are the best of their kind. Because Sor was a guitar instructor, he was supposed to prepare études for teaching his students. An abstract of 20 of Sor’s études could be found in the collection provided by Andrés Segovia.

Yuquijiro Yocoh

Born in 1925, Hita, Japan, because of great enthusiasm for playing guitar left studies in dentistry at Keijoh College, and became a self-instructed guitar player and composer. Theme and variation of his style is most characteristic in his piece for a Japanese folk song named “Sakura”, performed and recorded by numerous guitarists worldwide, which is also his most famous composition till date.

Leo Brouwer

Born 1939 in Havana, Cuba, conducted music lessons in Juilliard School in New York, US. Pieces composed by Brouwer are considered among the most favorites for guitar. He has also composed many pieces for other instruments as well. In his resume there are many orchestral compositions for music of movies. Many of his compositions for guitar are famous worldwide and have a fixed position in current guitar repertoire.

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Hassan Kassai, Ney Virtuoso

The name of Maestro Hassan Kassai is so vehemently intertwined with Ney (Persian reed flute) that one cannot imagine one without the other immediately coming into mind. Ney is one of the instruments which went through a lot of ups and downs in the history of the Iranian music since the time of Sassanid kings to the time when shepherds found playing it consoling when they took their cattle for grazing. However, Nay could never demonstrate its main capacities to gain a stable position among the musicians and the people like other instruments including Oud, Tar, Santour, all sorts of bowed string instruments and plucked string instruments.

Iranian Fallacies – Global Performance

One of the most important criteria for measuring the quality of a piece of classical music is number of times the piece has been performance by different ensembles and orchestras in different eras. This belief has become so pervasive in some societies, such as Iranian society, that it is considered the only criterion for measuring the quality of a piece of classical music.

From Past Days…

Iranian Fallacies: Iranian Chords

Finding a way to harmonize the Iranian music has been the subject of controversy among Iranian musicians for a long time. Some believe in the creation of harmonies for Iranian music based on a method which is similar to the tierce harmony; while others have either selected or invented some other methods. There are also some musicians who do not basically agree with the harmonization of the Iranian music.

Principles of Violin Playing (VII)

4.3.1.3 Regarding the great linear distance and the unusual distance between the first and forth fingers, the first finger while playing the doubles of ninth and tenth interval, can be twisted in the knuckle area and the point mentioned in 3.1.2.5 paragraph in relation to the way first finger is placed indicating that the first joint of this finger in back of hand must be in line with the direction of forearm and left hand is not true here.

Hossein Dehlavi: the Composer

With Dehlavi it is not all about fame but recognition. Hossein Dehlavi is not a popular musician (like pop singers) whom everybody might know when he is walking on streets of Tehran; however, he is recognized by both amateur and distinguished musicians of the country.

Principles of Violin Playing (III)

Violin players should always pay attention to the proper position of the left thumb and other points related to it and to its joining point to the palm.

“Pledge of Love”

The “Pledge of Love” is the first album in a series composed based on the tasnifs by the renowned Iranian tasnif-maker Mohammad Ali Amir Jahed and recorded by Sahba Kohan Ensemble with Ramin Bahiraie as signer.

Three singers in one larynx

Sima Bina (b. 1945) is a unique singer among the singers of Golha radio programmes which were broadcast on Iranian National Radio for 23 years from 1956 to 1979. She received her first lessons in music from her father who was a poet, a musician and the most important supporter of Sima’s cultural activities.

From the Last Instrumentalist to the First Composer (II)

Rouhollah Khaleghi was the master of composing beautiful melodies. He was the premier of the course of history which was first established by Ali Naghi Vaziri and which improved the Iranian music from simply a gathering music to the classical music of the country. First efforts to compose independent and instrumental music can be also traced in Khaleghi’s works.

A year without Mohsen Ghanebasiri

The year 1396 (21 March 2017-20 March 2018) was the most sorrowful year for HarmonyTalk journal. One month after holding HarmonyTalk’s 13th establishment anniversary in Mohsen Ghanebasiri’s house in Tehran in April 2017, he untimely passed away. Mohsen Ghanebasiri was the prominent HarmonyTalk author.

Women Musicians in Large Iranian Orchestras

It is more than a century now that the sociologists consider the presence of women in different social domains as a benchmark for a society’s progress. They analyze the presence of women in society by the means of available statistics. Unfortunately, as with regard to the Iranian society, statistics related to women’s engagement, has not been available to the researchers, if they existed at all.

Ashoura Opera

Ashura Opera was composed by Behzad Abdi, the Iranian composer, in 2008 based on librettos compiled by Behrouz Gharib. The main source for the libretto is poems by Mohtasham Kashani, a sixteenth century Iranian poet.