“Guitar Memories” Released

1 June 2017 – 9:12 am Posted in Articles' List, General Information, Instrument & Playing, News, Releases, Western Classical Music

The album “Guitar Memories” consists of the performance of baroque to recent era masterpieces, by Mehrdad Mahdavi, and is published by Tanin-e Honar Publication.

In this album there are pieces composed and arranged by artists such as: Sylvius Leopold Weiss, Johann Anton Logy, Fernando Sor, Yuquijiro Yocoh, Leo Brouwer.

Objective of performing these familiar masterpieces is particularly presenting sole capabilities of classical guitar for playing them.

These pieces resemble the pleasant memories of first music classes and the performer make an effort to share those fantastic and memorial feelings with audiences.

This album presents 12 pieces arranged for solo classical guitar, which was performed and recorded in Spring 2016.

For purchasing this unique album you can visit here.

Introducing Composers

Sylvius Leopold Weiss (1687 – 1750)

Composer and player of the German lute instrument in Baroque Era. Even today many consider him the greatest lute player of all times. By the year 1717 he became a member of the small orchestra of Dresden Kingdom of Germany. Later he went on many tours for performing in Dusseldorf, Munich, Vienna, Prague, and other cities. Weiss composed many pieces for solo lute.

Johann Anton Losy (1650 – 1721)

He was an aristocrat in Prague, playing and composing masterpieces for lute in the Baroque era. His works are a combination of Brisé (French) with Cantabile (Italian) styles. At the period when playing lute was most popular in Bohemia, he was probably among the best lute players and composers.

Fernando Sor (1778 – 1839)

Great Spanish guitar player and composer, born in Barcelona, celebrated by some as “the Beethoven of the guitar”. Besides compositions for guitar, he has written music for opera and ballet performances as well. With no doubt études provided by Sor are the best of their kind. Because Sor was a guitar instructor, he was supposed to prepare études for teaching his students. An abstract of 20 of Sor’s études could be found in the collection provided by Andrés Segovia.

Yuquijiro Yocoh

Born in 1925, Hita, Japan, because of great enthusiasm for playing guitar left studies in dentistry at Keijoh College, and became a self-instructed guitar player and composer. Theme and variation of his style is most characteristic in his piece for a Japanese folk song named “Sakura”, performed and recorded by numerous guitarists worldwide, which is also his most famous composition till date.

Leo Brouwer

Born 1939 in Havana, Cuba, conducted music lessons in Juilliard School in New York, US. Pieces composed by Brouwer are considered among the most favorites for guitar. He has also composed many pieces for other instruments as well. In his resume there are many orchestral compositions for music of movies. Many of his compositions for guitar are famous worldwide and have a fixed position in current guitar repertoire.

This entry was written by HarmonyTalk
Tagged: .

Transition to Enlightenment: Six Lectures on Mozart’s String Quartets (5)

The late 18th century was marked by profound societal changes across Europe, characterized by the rise of the bourgeoisie and the reshaping of musical patronage. Composers like Mozart responded to these shifts by adapting their compositional styles to align with the tastes and sensibilities of the emerging middle class. This article seeks to explore this phenomenon through an analysis of Mozart’s K. 499 quartet, also known as the “Hoffmeister” quartet, and his Prussian quartets, alongside the works of his contemporaries. By examining the evolution of the string quartet genre within the context of changing social structures and aesthetic preferences, this study aims to shed light on the dynamic relationship between music and society.

Nasser Masoudi: The Voice of Gilan and a Legacy of Iranian Music

In Iranian music, certain singers have become emblematic of their homelands through their distinctive voices. Historical figures such as Eghbal Sultan, who epitomized the grandeur of Azerbaijani music, and Taj Isfahani, who conveyed the authentic essence of Isfahan, serve as notable examples from the Qajar era. Nasser Masoudi occupies a similar position; his voice emerged as a symbol of Gilan while also achieving national acclaim. Before him, Master Ahmad Ashurpur represented Gilan’s musical landscape, but his extended residence outside Iran limited his continuous engagement in the music scene. In contrast, Masoudi’s consistent presence allowed him to introduce the voice of Gilan to audiences across Iran.

Latest posts

From Past Days…

Farhad Poupel’s piece, Road to Bach, performed at Suntory Hall

On June 19, 2021 , young Iranian composer and pianist, Farhad Poupel’s piece, Road to Bach, was performed at the prestigious Suntory Hall by the great Japanese pianist, Kotaro Fukuma. The piece was commissioned by Kotaro Fukuma to have its world premiere in Suntory Hall during a concert by the same name.

Interview with Farhad Poupel (I)

Born in Isfahan, Iran, and based in the UK, Farhad Poupel’s music has been performed and will be performed in numerous prestigious concert halls and festivals throughout the world including Suntory Hall in Tokyo, Japan; La Roque-d’Anthéron Piano Festival, La Roque-d’Anthéron, France; Biarritz Festival, Biarritz, France; Stoller Hall, Manchester, UK; Janacek academy of music and performing art, Brno, Czech Republic; Karlskrona International Piano Festival, Karlskrona, Sweden; by distinguished artists such as Kotaro Fukuma, Peter Jablonski, Daniel Grimwood, Margaret Fingerhut, Catherine Carby, Kristýna Znamenáčková,Jeffrey Biegel, Jean-Francois Bouvery and orchestras such as Windsor Symphony Orchestra or broadcasted on the NPR Radio 4, Netherland. The following is an interview with him on the ocaasion of the premier of the Legend of Bijan and Manijeh.

Non-profit “Microtona” Project Released

Microtona is a sixty-eight-page Booklet with personal comments by the contributing microtonal artists. The booklet also includes a DVD which consists of 8 original video tracks and 9 original audio tracks. The project is an international one featuring unpublished pieces by composers from Iran, Japan, U.S., France, Austria, Germany and Belgium.

Women and the Music Environment in Iran

The life territory of the female-male relations in the Iranian cultural context is basically a domestic territory and not a social-living one in the labour and leisure domains. To prove this, it only suffices to consider the Iranian men’s viewpoints about women. For the Iranian men, there are three perspectives regarding the women: mother, sister and wife. Mother represents the emotional territory; sister represents the logical territory at home while wife represents the sexual territory.

The First Saba Student Music Festival Concluded in Tehran

Preparations for Saba Student Music Festival started in the summer of 2016; the Student Music Festival will be held annually by the students of music at Arts University. The first part of the closing ceremony of the Festival was dedicated to the celebration of the life, work and strives by Maestro Hossein Dehlavi to upgrade the level of music as an academic discipline. The name of the award-winning students and ensembles were announced at the second part of the ceremony.

Gholam Reza Khan Minbashian: a pioneer in Iranian music (II)

Gholamreza Khan Minbashian taught courses such as organology, orchestration of military music and harmony based on the books which were translated from French into Persian with the help of Aliakbar Mozayyan-o-Dolleh (1846-1932).

Polyphony in Iranian Music (II)

With regard to each polyphonic form, only one specific and distinguished example is analyzed. These polyphonic forms are as follows:

Musical Sense or Technique?

One of the most popular terms used by Iranian instrumentalists is the existence or a lack of musical “sense”. Both musicians and fans of music consider having “sense” while playing music as an important principle to the extent that they use it vis-a-vis having technique.

Ennio Morricone’s music for Quentin Tarantino’s The Hateful Eight

After watching Quentin Tarantino’s latest movie, The Hateful Eight, everyone was excited by its novel music besides the beautiful scenes of blood and guts.
The Hateful Eight is the first collaboration between the world-famous film music composer, Ennio Morricone, and Quentin Tarantino as a famous director.