“Guitar Memories” Released

mehrdad-mahdavi

 

The album “Guitar Memories” consists of the performance of baroque to recent era masterpieces, by Mehrdad Mahdavi, and is published by Tanin-e Honar Publication.

In this album there are pieces composed and arranged by artists such as: Sylvius Leopold Weiss, Johann Anton Logy, Fernando Sor, Yuquijiro Yocoh, Leo Brouwer.

Objective of performing these familiar masterpieces is particularly presenting sole capabilities of classical guitar for playing them.

These pieces resemble the pleasant memories of first music classes and the performer make an effort to share those fantastic and memorial feelings with audiences.

This album presents 12 pieces arranged for solo classical guitar, which was performed and recorded in Spring 2016.

For purchasing this unique album you can visit here.

Introducing Composers

Sylvius Leopold Weiss (1687 – 1750)

Composer and player of the German lute instrument in Baroque Era. Even today many consider him the greatest lute player of all times. By the year 1717 he became a member of the small orchestra of Dresden Kingdom of Germany. Later he went on many tours for performing in Dusseldorf, Munich, Vienna, Prague, and other cities. Weiss composed many pieces for solo lute.

Johann Anton Losy (1650 – 1721)

He was an aristocrat in Prague, playing and composing masterpieces for lute in the Baroque era. His works are a combination of Brisé (French) with Cantabile (Italian) styles. At the period when playing lute was most popular in Bohemia, he was probably among the best lute players and composers.

Fernando Sor (1778 – 1839)

Great Spanish guitar player and composer, born in Barcelona, celebrated by some as “the Beethoven of the guitar”. Besides compositions for guitar, he has written music for opera and ballet performances as well. With no doubt études provided by Sor are the best of their kind. Because Sor was a guitar instructor, he was supposed to prepare études for teaching his students. An abstract of 20 of Sor’s études could be found in the collection provided by Andrés Segovia.

Yuquijiro Yocoh

Born in 1925, Hita, Japan, because of great enthusiasm for playing guitar left studies in dentistry at Keijoh College, and became a self-instructed guitar player and composer. Theme and variation of his style is most characteristic in his piece for a Japanese folk song named “Sakura”, performed and recorded by numerous guitarists worldwide, which is also his most famous composition till date.

Leo Brouwer

Born 1939 in Havana, Cuba, conducted music lessons in Juilliard School in New York, US. Pieces composed by Brouwer are considered among the most favorites for guitar. He has also composed many pieces for other instruments as well. In his resume there are many orchestral compositions for music of movies. Many of his compositions for guitar are famous worldwide and have a fixed position in current guitar repertoire.

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Iranian Contradictions: Iranian Chords

Finding a way to harmonize the Iranian music has been the subject of controversy among Iranian musicians for a long time. Some believe in the creation of harmonies for Iranian music based on a method which is similar to the tierce harmony; while others have either selected or invented some other methods. There are also some musicians who do not basically agree with the harmonization of the Iranian music.

Principles of Violin Playing (IX)

4.3.1. To practice playing of doubles of notes involving two different fingers, each note is played at separate bows with slow tempo, each note is played perfectly regarding its bass and tenor sounds and then the considered double is played at another bow while considering the resulted sound of the double.

From Past Days…

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“Pledge of Love”

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Women Musicians in Large Iranian Orchestras

It is more than a century now that the sociologists consider the presence of women in different social domains as a benchmark for a society’s progress. They analyze the presence of women in society by the means of available statistics. Unfortunately, as with regard to the Iranian society, statistics related to women’s engagement, has not been available to the researchers, if they existed at all.

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Hossein Dehlavi: the Composer

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33bg8c1

Principles of Violin Playing (VIII)

1.5.1.3.sometimes, a player, due to different reasons, may decisively want to play continuously two notes with a half-step by means of the same finger, in such a case, it’s necessary to open the interior curve of the finger like a spring. Naturally coming back, the curve of finger should be closed and the finger should become curved shape again (see paragraph 3.1.2.1).

DSC-reza-ziaei-stard-0

The Mystery of Messiah

Antonio Stradivari (1644 – 18 December 1737) was an Italian luthier and is considered the most significant and greatest artisan in this field.

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Tehran Flute Choir Established

Tehran Flute Choir was established in 1394 (late 2015) by Firouzeh Navai. Tehran Flute Choir, Iran’s first largest flute choir, recruited its members mostly from young talented flutists of Iranian Flute Association. Featuring piccolo, flute, alto flute and bass flute, Tehran Flute Choir, directed by Firouzeh Navai, premiered under the batons of Saeed Taghadosi on January 7-8, 2016 at Roudaki Hall in Tehran.

s2

Principles of Violin Playing (VII)

4.3.1.3 Regarding the great linear distance and the unusual distance between the first and forth fingers, the first finger while playing the doubles of ninth and tenth interval, can be twisted in the knuckle area and the point mentioned in 3.1.2.5 paragraph in relation to the way first finger is placed indicating that the first joint of this finger in back of hand must be in line with the direction of forearm and left hand is not true here.

mehrdad-mahdavi

“Guitar Memories” Released

The album “Guitar Memories” consists of the performance of baroque to recent era masterpieces, by Mehrdad Mahdavi, and is published by Tanin-e Honar Publication.

In this album there are pieces composed and arranged by artists such as: Sylvius Leopold Weiss, Johann Anton Logy, Fernando Sor, Yuquijiro Yocoh, Leo Brouwer.

sdf3_n

Iranian Contradictions: Iranian Chords

Finding a way to harmonize the Iranian music has been the subject of controversy among Iranian musicians for a long time. Some believe in the creation of harmonies for Iranian music based on a method which is similar to the tierce harmony; while others have either selected or invented some other methods. There are also some musicians who do not basically agree with the harmonization of the Iranian music.

s2

Principles of Playing Violin (V)

3/1/2/5: When the first finger lands next to the nut, continuation of first phalange of this finger, on back of the hand, should be in line with continuation of the back of the wrist and the left hand; moreover, it should not pass them and bend at knuckles. Otherwise, an uncommon stretch is created in first finger’s knuckle also reducing the freedom of other fingers (especially the fourth finger) in finger placement.