Tehran Flute Choir was established in 1394 (late 2015) by Firouzeh Navai. Tehran Flute Choir, Iran’s first largest flute choir, recruited its members mostly from young talented flutists of Iranian Flute Association. Featuring piccolo, flute, alto flute and bass flute, Tehran Flute Choir, directed by Firouzeh Navai, premiered under the batons of Saeed Taghadosi on January 7-8, 2016 at Roudaki Hall in Tehran.
Soheil Koushanpour, Arts Director and Ehsan Tarokh, the Executive Director of the Choir were also two key role players in the arrangements and coordination for the concert.
The Choir aims at introducing international standards for playing flute in Iran and for supporting flutists. Moreover, the Choir seeks to establish an environment for interaction and exchange of ideas to bring flutists close together.
Firouzeh Navai and Saeed Taghadosi are an Iranian flutist couple who have both graduated from Tehran Higher Conservatory of Music and then moved to Austria to further their education upon receiving scholarships in 1970s. After graduation they both returned to Iran and join Tehran Symphony Orchestra in 1978 which was then conducted by Farhad Meshkat (born 1937). Firouzeh Navai was the first female flutist in Tehran Symphony Orchestra then.
They got married in October 1979, they moved to Vienna in 1980. Both Navai and Taghadosi have participated in James Galway and Wolfgang Schulz’ master classes and are among the most prominent Iranian flutists. The couple currently resides in Switzerland.
Tehran Flute Choir’s concert was very promising with the spirit of friendship, cooperation and caring which prevail the choir’s ambiance. The couple has not been successful in only sharing their knowledge and expertise with choir members but also their love and affection. The main goal of the Choir, as stated by its founders, is therefore to create and maintain a friendly environment without any unhealthy competition.
Tehran Flute Choir intends to attract more members; therefore, a piece of good news for aspiring young flutists is that registration is still open to join the Choir.
- Prominent Iranian Musicologist Passes Away in Vienna
- Polyphony in Iranian Music (V)
- Violin’s inner mold, an essential factor in developing the idea of violin
- Three singers in one larynx
- Avaye Naerika Percussion Orchestra
- Polyphony in Iranian Music (IV)
- Polyphony in Iranian Music (III)
- Polyphony in Iranian Music (II)
- Polyphony in Iranian Music (I)
- Behzad Abdi’s opera Rumi was physically released by Naxos
- Developments in Iranian Music Since Qajar Era (III)
- Developments in Iranian Music Since Qajar Era (II)
From Past Days…
Gholam Hossein Banan was born in 1911 in Tehran. He was born in an affluent art-loving family who were Naser al-Din Shah Qajar (1848-1896)’s relative. The Qajar King was his mother’s uncle on her father’s side. He learnt his first lessons in music while his father sang Iranian avaz (improvised rhythmic-free singing), he then attended classes by the renowned Iranian composer, Morteza Neydavoud (1900-1990) along with his sisters; the composer is, therefore, considered as his first teacher. He then learnt Iranian avaz under the supervision of Mirza Taher Zia Resaee (Zia-o Zakerin) and Naser Seif in an oral manner.
184.108.40.206 Regarding the great linear distance and the unusual distance between the first and forth fingers, the first finger while playing the doubles of ninth and tenth interval, can be twisted in the knuckle area and the point mentioned in 220.127.116.11 paragraph in relation to the way first finger is placed indicating that the first joint of this finger in back of hand must be in line with the direction of forearm and left hand is not true here.
Since for playing violin, it’s necessary that the playerâ€™s palms and fingers be inclined toward the fingerboard, therefore, the player, while bringing up his hand, should turn it toward the fingerboard.
Ashura Opera was composed by Behzad Abdi, the Iranian composer, in 2008 based on librettos compiled by Behrouz Gharib. The main source for the libretto is poems by Mohtasham Kashani, a sixteenth century Iranian poet.
Avaye Naerika Percussion Orchestra is an Iranian percussion orchestra featuring 40 lady percussionists. The Orchestra was established as Iran’s largest all-female percussion orchestra in 2008 by Ms. Minoo Rezaei under the title Naerika Percussion Orchestra and changed its name to Avaye Naerika in 2017.
The “Pledge of Love” is the first album in a series composed based on the tasnifs by the renowned Iranian tasnif-maker Mohammad Ali Amir Jahed and recorded by Sahba Kohan Ensemble with Ramin Bahiraie as signer.
The year 1396 (21 March 2017-20 March 2018) was the most sorrowful year for HarmonyTalk journal. One month after holding HarmonyTalk’s 13th establishment anniversary in Mohsen Ghanebasiri’s house in Tehran in April 2017, he untimely passed away. Mohsen Ghanebasiri was the prominent HarmonyTalk author.
Preparations for Saba Student Music Festival started in the summer of 2016; the Student Music Festival will be held annually by the students of music at Arts University. The first part of the closing ceremony of the Festival was dedicated to the celebration of the life, work and strives by Maestro Hossein Dehlavi to upgrade the level of music as an academic discipline. The name of the award-winning students and ensembles were announced at the second part of the ceremony.
Payam Taghadossi (born in 1989) started his musical education at the age of 4 years with Monika Scherbaum in Bregenz (Austria). At the Conservatory Feldkirch he joined the class of Imke Frank and Martin Merker. Later he studied in Zurich (Switzerland) with Thomas Grossenbacher and Christian Proske, where he 2011 graduated as a Bachelor of Arts in Music Performance. Two years later as the student of Rafael Rosenfeld he received his Master of Arts in Music Performance diploma and later graduated as a Master of Arts in spezialized Music Performance in 2016 from the Hochschule für Musik Basel FHNW.
With regard to each polyphonic form, only one specific and distinguished example is analyzed. These polyphonic forms are as follows: