Establishing O.R.P. Quartet is Kayvan Mirhadi’s latest activity as a guitarist, composer and conductor of Kamerata Orchestra. Besides working with this Quartet, Mirhadi is busy these days recording and mixing some of his own works as well as some pieces by 20th century composers. O.R.P Quartet performed a concert in Rasht, Gilan Province in late May 2016 and offered a master class.
A description of the establishment and the performance of the orchestra along with its members brief biographies follows:
Ordinary Routine People Quartet (O.R.P Quartet)
Kayvan Mirhadi: Classical Guitar
Amin Nili: Double Bass
Farzam Hassani: Drums
Matin Ladani: Piano
O.R.P quartet was founded in 2013 to perform French Claude Bolling’s Guitar Concerto exclusively. Kayvan impressed by this work began to work on his first album in exactly the same ensemble of Bolling’s. So he released an experimental – Jazz “LIKOO” through the label “OIDO records” in 2013.
Matin (24) is the youngest among us and is originally a superb classical pianist and the winner of the first prize of “International Fadjr Music Festival”. Farzam (25) is a CEO of a Tour Agency and holds a degree in engineering. Amin (31) is an IT expert who has been focusing on playing double bass. He plays guitar as well as the double bass. Kayvan (56) holds an M.A. in arts research methodology and is the eldest member of the Orchestra. Kayvan is former professor at various Iranian universities and music colleges. He is considered as a member of the second generation of Iranian classical guitarists.
Claude Bolling’s Guitar concerto is one of the best examples amongst its peers. The trend was popular during 60s and 70s in Europe and although the neo classical approach is being merged with Jazz, Blues and Swing but the catchy hybrid ambient is unique. It is interesting to know that the other Bolling’s works which he wrote for the best performers of the time convey a “suite” title and not a “concerto”. Virtuosos like J.P.Rampal, M. Andre, YoYo Ma and P. Zukermasn collaborated for the recordings of the suites along with Bolling.
The guitar concerto is dedicated to the late “Alexandre Lagoya” then the Spaniard Guitarist Angel Romero instigated the “Finale” and finally the seven – part concerto was officially released in 1978.
Hoagland Carmichael (US/1899-1981) along with Duke Ellington and Scott Joplin is one of the three greatest American Jazz musicians of the 20th century. His career was divided into three main and influential periods. “Hoagy” a Jazz Maniac, first released his album with Louise Armstrong. He spent the second period of his life in Georgia, south east of the US where he was wandering with the great musicians.
The album “Under the Missouri Sky” is one of the memorable and extrovert of the kind of Pat Metheny and late Charlie Haden. It contains a series of amazing duos for double bass and guitar. It is worth mentioning that the prominent flamenco guitarist “Tomatito” also has an impressive and warm version of this track.
Born in the US Andrew York (60) is still performing world class and releases his videos and tracks. There was a time when “John Williams” performed his “sunburst” and after that Andy was popular around the world. He has been performing and composing in L.A quartet for a while and his compositions are standards in classical guitar repertoire and music festivals.
- Prominent Iranian Musicologist Passes Away in Vienna
- Polyphony in Iranian Music (V)
- Violin’s inner mold, an essential factor in developing the idea of violin
- Three singers in one larynx
- Avaye Naerika Percussion Orchestra
- Polyphony in Iranian Music (IV)
- Polyphony in Iranian Music (III)
- Polyphony in Iranian Music (II)
- Polyphony in Iranian Music (I)
- Behzad Abdi’s opera Rumi was physically released by Naxos
- Developments in Iranian Music Since Qajar Era (III)
- Developments in Iranian Music Since Qajar Era (II)
From Past Days…
It is more than a century now that the sociologists consider the presence of women in different social domains as a benchmark for a society’s progress. They analyze the presence of women in society by the means of available statistics. Unfortunately, as with regard to the Iranian society, statistics related to women’s engagement, has not been available to the researchers, if they existed at all.
Gholam Hossein Banan was born in 1911 in Tehran. He was born in an affluent art-loving family who were Naser al-Din Shah Qajar (1848-1896)’s relative. The Qajar King was his mother’s uncle on her father’s side. He learnt his first lessons in music while his father sang Iranian avaz (improvised rhythmic-free singing), he then attended classes by the renowned Iranian composer, Morteza Neydavoud (1900-1990) along with his sisters; the composer is, therefore, considered as his first teacher. He then learnt Iranian avaz under the supervision of Mirza Taher Zia Resaee (Zia-o Zakerin) and Naser Seif in an oral manner.
In the few days prior to the New Iranian year (March 2015), the news of the revival of Tehran Symphony Orchestra under Ali (Alexander) Rahbari’s conductorship was announced. Ali Rahbari, who served as assistant to Herbert von Karajan in Berlin Philharmonic Orchestra at a very young age, was also invited to conduct Tehran Symphony Orchestra in 2005; however, the election of Mahmoud Ahmadinejad’s government put an end to his collaboration with this Orchestra. Recently, it was announced that Rahbari is invited to conduct an orchestra in the U.S.
Persian Set: Four Movements for chamber orchestra: Moderato; Allegretto; Lento; Rondo
Henry Cowell, one of the most innovative American composers of the 20th century, was born in 1897. Cowell and his wife visited Iran in 1956 and stayed there the whole winter, upon the invitation by the Iranian Royal Family, when he composed his album “Persian Set” in four movements for chamber orchestra. His composition is expressive of the characteristic quality of the Persian or the Iranian music.
Finding a way to harmonize the Iranian music has been the subject of controversy among Iranian musicians for a long time. Some believe in the creation of harmonies for Iranian music based on a method which is similar to the tierce harmony; while others have either selected or invented some other methods. There are also some musicians who do not basically agree with the harmonization of the Iranian music.
After watching Quentin Tarantino’s latest movie, The Hateful Eight, everyone was excited by its novel music besides the beautiful scenes of blood and guts.
The Hateful Eight is the first collaboration between the world-famous film music composer, Ennio Morricone, and Quentin Tarantino as a famous director.
Translated by Mahboube Khalvati The article you are about to read was written by Rouhollah Khaleqi (1906-1965), composer, and conductor of Golha Orchestra (established in 1956). Khaleqi was one of the most prominent promoters of polyphony for the Iranian music and is one of the best representatives of the school of Ali Naghi Vaziri. In…
When the author was working on the piece “Playing Love” by Ennio Morricone (from the legend of 1900), he realized a failure of the Lip Technique. Needing to play a chord in the 14th position of the guitar and in order to complete the harmony, it is necessary to play a harmonic note on the 7th or 5th position; it was not possible to touch the string to play this harmonic note, because the Lip Technique is used for getting the notes and not to touch the string and producing harmonic notes. Naturally, the only possible way to touch the string was to use the nose at the required position and playing the note with the right hand, and this was the best option the author found to how to play such harmonic notes, and where the Nose Technique was generated.
Preparations for Saba Student Music Festival started in the summer of 2016; the Student Music Festival will be held annually by the students of music at Arts University. The first part of the closing ceremony of the Festival was dedicated to the celebration of the life, work and strives by Maestro Hossein Dehlavi to upgrade the level of music as an academic discipline. The name of the award-winning students and ensembles were announced at the second part of the ceremony.
Music as an art has its own special history; emergence of a singer, of an instrumentalist and then the emergence of the strong character of a composer covers three significant phases of the art of music. With the emergence of composer which was simultaneous with the emergence of the language of music, this art managed to offer a domain for criticism for its composer; a procedure which led to a magnificent variety and evolution in musical production. Even though the conflicts between singers and instrumentalists have not met their end in the Iranian society and while singers can achieve high, instrumentalists have yet to play behind curtains . In a special era, with the efforts of musicians such as Ali Naghi Vaziri (1887-1979) and Rouhollah Khaleghi (1906-1965), glimmers of a composing era started to glow bearing fruit in Khaleghi’s achievement as Iran’s first professional composer. Khaleghi made his reputation as a composer while Vaziri deserved to pioneer this path. By then Vaziri was well-known as a Tar player.