Kayvan Mirhadi and O.R.P Qaurtet

Establishing O.R.P. Quartet is Kayvan Mirhadi’s latest activity as a guitarist, composer and conductor of Kamerata Orchestra. Besides working with this Quartet, Mirhadi is busy these days recording and mixing some of his own works as well as some pieces by 20th century composers. O.R.P Quartet performed a concert in Rasht, Gilan Province in late May 2016 and offered a master class.
A description of the establishment and the performance of the orchestra along with its members brief biographies follows:
Ordinary Routine People Quartet (O.R.P Quartet)
Kayvan Mirhadi: Classical Guitar
Amin Nili: Double Bass
Farzam Hassani: Drums
Matin Ladani: Piano
O.R.P quartet was founded in 2013 to perform French Claude Bolling’s Guitar Concerto exclusively. Kayvan impressed by this work began to work on his first album in exactly the same ensemble of Bolling’s. So he released an experimental – Jazz “LIKOO” through the label “OIDO records” in 2013.
Matin (24) is the youngest among us and is originally a superb classical pianist and the winner of the first prize of “International Fadjr Music Festival”. Farzam (25) is a CEO of a Tour Agency and holds a degree in engineering. Amin (31) is an IT expert who has been focusing on playing double bass. He plays guitar as well as the double bass. Kayvan (56) holds an M.A. in arts research methodology and is the eldest member of the Orchestra. Kayvan is former professor at various Iranian universities and music colleges. He is considered as a member of the second generation of Iranian classical guitarists.
Claude Bolling’s Guitar concerto is one of the best examples amongst its peers. The trend was popular during 60s and 70s in Europe and although the neo classical approach is being merged with Jazz, Blues and Swing but the catchy hybrid ambient is unique. It is interesting to know that the other Bolling’s works which he wrote for the best performers of the time convey a “suite” title and not a “concerto”. Virtuosos like J.P.Rampal, M. Andre, YoYo Ma and P. Zukermasn collaborated for the recordings of the suites along with Bolling.
The guitar concerto is dedicated to the late “Alexandre Lagoya” then the Spaniard Guitarist Angel Romero instigated the “Finale” and finally the seven – part concerto was officially released in 1978.
Hoagland Carmichael (US/1899-1981) along with Duke Ellington and Scott Joplin is one of the three greatest American Jazz musicians of the 20th century. His career was divided into three main and influential periods. “Hoagy” a Jazz Maniac, first released his album with Louise Armstrong. He spent the second period of his life in Georgia, south east of the US where he was wandering with the great musicians.
The album “Under the Missouri Sky” is one of the memorable and extrovert of the kind of Pat Metheny and late Charlie Haden. It contains a series of amazing duos for double bass and guitar. It is worth mentioning that the prominent flamenco guitarist “Tomatito” also has an impressive and warm version of this track.
Born in the US Andrew York (60) is still performing world class and releases his videos and tracks. There was a time when “John Williams” performed his “sunburst” and after that Andy was popular around the world. He has been performing and composing in L.A quartet for a while and his compositions are standards in classical guitar repertoire and music festivals.

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Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

From Past Days…

The First Saba Student Music Festival Concluded in Tehran

Preparations for Saba Student Music Festival started in the summer of 2016; the Student Music Festival will be held annually by the students of music at Arts University. The first part of the closing ceremony of the Festival was dedicated to the celebration of the life, work and strives by Maestro Hossein Dehlavi to upgrade the level of music as an academic discipline. The name of the award-winning students and ensembles were announced at the second part of the ceremony.

Non-profit “Microtona” Project Released

Microtona is a sixty-eight-page Booklet with personal comments by the contributing microtonal artists. The booklet also includes a DVD which consists of 8 original video tracks and 9 original audio tracks. The project is an international one featuring unpublished pieces by composers from Iran, Japan, U.S., France, Austria, Germany and Belgium.

Polyphony in Iranian Music (II)

With regard to each polyphonic form, only one specific and distinguished example is analyzed. These polyphonic forms are as follows:

Developments in Iranian Music Since Qajar Era (II)

Santour:
Nine-bridge and twelve-bridge Sanours were both used until the early Pahlavi dynasty. However, as Faramarz Payvar devised new methods for playing the nine-bridge Sanour, this variety of the instrument which was hammered by felted sticks became popular.

Polyphony in Iranian Music (IV)

Two choirs alternatively perform Veŝ Tavaré Na avaz (Transcription 5). The second group starts the avaz before the first group finishes it; consequently, two different voices coincide (Transcription 5, staves 2 and 5).

The Structure of Kurdistan Daf (V)

ehrouz Mohammadi, “Daf and its feasts in Ghaderieh’s Tekyeh” mentions that the outer thickness of arch where studs are located, [is] between one to one and a half centimeters (Mohammadi, 2001: 12). The thickness of arch should be gradually reduced from the installation place of rings to skin (Avazeh of Daf) to create a high volume, clear sound from Daf; also, the connection of arch to skin should not be less than one millimeter, because in this case the skin will be torn due to the sharpness of the wood (Mogharab Samadi, 2009: 79-78). The thickness of wood on the skin side is about two to three millimeters (Tohidi, 2002: 79).

From the Last Instrumentalist to the First Composer (II)

Rouhollah Khaleghi was the master of composing beautiful melodies. He was the premier of the course of history which was first established by Ali Naghi Vaziri and which improved the Iranian music from simply a gathering music to the classical music of the country. First efforts to compose independent and instrumental music can be also traced in Khaleghi’s works.

“I Will Never Perform Just for Women!”: Golnoush Khaleghi Passes Away in Exile

Golnoush Khaleghi, first Persian woman conductor and daughter of legendary composer Rouhollah Khaleghi, passed away on February 14. She was 80. Golnoush Khaleghi was the conductor of the NIRT (National Iranian Radio & Television) Choir in the 1970s. Shortly after the 1979 Islamic Revolution Ms. Khaleghi moved to the United States and founded the Rouhollah…
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A year without Mohsen Ghanebasiri

The year 1396 (21 March 2017-20 March 2018) was the most sorrowful year for HarmonyTalk journal. One month after holding HarmonyTalk’s 13th establishment anniversary in Mohsen Ghanebasiri’s house in Tehran in April 2017, he untimely passed away. Mohsen Ghanebasiri was the prominent HarmonyTalk author.

A note on “Illusion or Ingenuity” article

The author of the “Illusion or Ingenuity” article, who is apprehensive of the future of the Music in Iran, enumerates some symptoms of the music weakening in the country for example decreasing in the quality of the music as well as lack of the innovation in creating them, a gradual decline in the music public taste and the drop in the application of layered sound and polyphony in music. He explains that one reason for this gradual weakening might be our unawareness of the fact that we are not so intelligent nation. He believes that we, Iranians, have a comprehensive “Illusion of the high national intelligence “that make us ignorant of the unfavorable realities of our music and consequently no searching for the remedy is taking place. His point of view brings to the mind a patient who thinks he is healthy, therefore delays the treatment and finally is killed by the disease. The author also refers to the national difficulties which gradually will lower the national intelligence score such as the increased rate of the immigration and brain drain, low quality of the nutrition, incompetence of the education system and etc and predicts that the condition of the music of Iran might deteriorate in the future because of the mentioned illusion of its great status.