“Pledge of Love”

The “Pledge of Love” is the first album in a series composed based on the tasnifs by the renowned Iranian tasnif-maker Mohammad Ali Amir Jahed and recorded by Sahba Kohan Ensemble with Ramin Bahiraie as signer. The album was released by Mahoor Institute of Culture and Arts in September 2015.

In this album, Sadjad Pourgahnad has re-composed Amir Jahed’s tasnifs’ by adding phrases and by making polyphonic the already existing ones. Pourghanad has also composed an overture entitled “Trannom” in which all instruments introduce themselves through the parts they play. The album cover written by composer reads:
“The current album results from the approach to the Persian music which was founded 90 years ago by Ali Naghi Vaziri and was followed by his students and colleagues and which has survived up to this day. In this school, there are no limitations for employing non-Persian musical techniques in composing; therefore, different techniques are used as long as they do not disturb the context of the Persian music.
“Due to unrestricted use of composing techniques some of which are totally new to the Persian music, works composed by the composers who follow this school have two important characteristics: 1. More variety and expanding composing horizons 2. Persian music becomes more attracting for those who are used to the Western classical music’s polyphony and are capable of following different sound lines.
This album consists of 6 Tasnifs by Mohammad Ali Amir Jahed which I have re-composed. In re-composing these Tasnifs, vocal parts are left intact while I have re-written the instrumental parts.
“In this album, I have tried to employ harmony, counterpoint and orchestration techniques for Iranian instruments to the extent that it does not disturb the context Amir Jahed had created. Based on each piece’s ambience, various polyphony and orchestration techniques are drawn upon the understanding of which is not challenging for trained listeners and those with the ability to follow multiple lines; however, those who are less familiar with polyphonic music might find them tough. Therefore, it is recommended that they listen to the album at least three times before they judge it!
“In the past several decades, one of the obstacles on the way of composing for an orchestra of Persian instruments has been the excessive use of percussion instruments to the extent that rhythmic variety has turned into an indispensible tradition for Persian orchestras. This tradition has made composers evade writing calculated and challenging counterpoints and impose the rhythmic variety and the continuous bass line to the audience in a primitive and deficient manner. Consequently, in this album percussion instruments were deliberately avoided so that in their absence counterpoint can play its role efficiently.
“This album includes some of the undiscovered or less listened-to Tasnifs by the great master of Iranian Tasnif-writing, Mohammad Ali Amir Jahed. I hope that the new approach applied to re-composing these Tasnifs adds to their beauty – Sadjad Pourghanad.”

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Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

Bahma Rajabi Passed Away!

Bahman Rajabi, the renowned tonbak (Persian goblet drum) player and educator, passed away at his home at the age of 86 due to a heart condition. He was the founder of a distinctive school of tonbak playing, and his teaching methods have been widely used by instructors of the instrument for decades..

From Past Days…

A Look at Ali Tajvidi’s Manifold Musical Activities (I)

Ali Tajvidi (1920 – 2004), one of the most prominent Iranian musicians, passed away sixteen years ago. He was one of the most distinguished Iranian artists. To specify one of the fields in which he was unique, one can refer to Tasnif composition. A brief review of his manifold musical activities is presented below.

Polyphony in Iranian Music (III)

In heterophonic variant, two performers perform a single melody simultaneously and change it. Performing and changing a single melody simultaneously by two performers leads to the coincidence of different voices.

Simorgh Criticised

Simorgh (Simorq) Orchestra was founded by the renowned Iranian composer, Hamid Motebassem, in 2011. Simorgh Orchestra is the largest orchestra featuring Iranian national instruments. Although the orchestra established by Master Hossein Dehlavi, the great Iranian composer, in 1993 was larger than Simorgh Orchestra, it only featured the Iranian plucked string instruments unlike the latter one. The first album which was recorded by the Orchestra, conducted under Motebassem’s baton, was his Simorq based on Zal story from Shahnameh by Ferdowsi, the great Iranian poet.

The Mystery of Messiah

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Henry Cowell: “Persian Set”

Persian Set: Four Movements for chamber orchestra: Moderato; Allegretto; Lento; Rondo

Henry Cowell, one of the most innovative American composers of the 20th century, was born in 1897. Cowell and his wife visited Iran in 1956 and stayed there the whole winter, upon the invitation by the Iranian Royal Family, when he composed his album “Persian Set” in four movements for chamber orchestra. His composition is expressive of the characteristic quality of the Persian or the Iranian music.

A Persian Nocturne for Piano

A Night in a Persian Garden is the name of a Nocturne composed by the Persian (Iranian) contemporary composer Behzad Ranjbaran. This Nocturne, published recently by the Theodore Presser Company in the US, was performed for the first time in 2002 in New York City by the young Persian pianist Soheil Nasseri and has enjoyed many performances by other pianists.

A year without Mohsen Ghanebasiri

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Harmony in the Iranian Music (II)

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Principles of Violin Playing (III)

Violin players should always pay attention to the proper position of the left thumb and other points related to it and to its joining point to the palm.

Developments in Iranian Music Since Qajar Era (II)

Santour:
Nine-bridge and twelve-bridge Sanours were both used until the early Pahlavi dynasty. However, as Faramarz Payvar devised new methods for playing the nine-bridge Sanour, this variety of the instrument which was hammered by felted sticks became popular.