Farhad Poupel’s piece, Road to Bach, performed at Suntory Hall

On June 19, 2021 , young Iranian composer and pianist, Farhad Poupel’s piece, Road to Bach, was performed at the prestigious Suntory Hall by the great Japanese pianist, Kotaro Fukuma. The piece was commissioned by Kotaro Fukuma to have its world premiere in Suntory Hall during a concert by the same name. The concert was before the release of Mr. Fukuma’s Bach transcriptions album, released by Naxos, and it tries to look at the influences that Bach music has had since.

The program included:

Farhad Poupel: “Road to Bach”
Brahms: 6 Piano Pieces, Op. 118
J. S. Bach (arr. Brahms): Chaconne in D minor, BWV 1004
J. S. Bach (arr. Liszt): Prelude and Fugue in A minor, BWV 543
List: Great Paganini Studies, S. 141

Road to Bach will be published in Japan mid-September, 2021. Composer Farhad Poupel in his interview with English pianist and author Frances Wilson said:
‘The Road to Bach’ was commissioned by great Japanese pianist Kotaro Fukuma for a concert of the same name in Suntory Hall, Tokyo on June 19. Approximately 3 to 4 months before being contacted by Kotaro Fukuma, I was studying Bach intensely and I was profoundly influenced by his dramatic use of harmonic and tonal language. So I’ve decided to write a piece which gains its movement primarily through its harmonies, but with modern harmonic language.

“…Working with Kotaro is one of the most delightful experiences of my life, even though writing this piece was quite challenging for me, especially since it was one of the most difficult times in my personal life. We had so many useful discussions regarding the work and I even changed the piece based on a good suggestion from him. The piece is quite challenging, but after he sent a video of himself performing it considerably musically, I was jubilant beyond measure since I saw all of our challenges led to this moment. And after he suggested my work be published in Japan, the sense of triumph was even greater, since this is my first publication by a publisher so far…”.

The work will also have three performances in France, Including the prestigious La Roque-d’Anthéron Festival on July 25. It will also have its Belgian-premier in Flagey, Brussels on October 31.
The pianist and commissioner of this work, Kotaro Fukuma, has a career in music, including performances at Wigmore Hall, Suntory Hall and Carnegie Hall, and performances with the world’s most important orchestras, including the NHK, the Finnish Radio Symphony Orchestra and the Cleveland Orchestra.

***

Farhad Poupel is described as “knowledgeable, highly competent and a serious musical thinker.it will be rewarding to follow his progress” (Simon Mundy, International festival review) and his music is described as “.. Immediately captures the audience’s attention. Whether ethereal or intense, the harmonies and melodies are fused with love, passion, and colorful sonic landscape..”(Jeffrey Biegel, American Pianist)

Born in Isfahan, Iran, his music has been performed and will be performed in numerous prestigious concert halls and festivals throughout the world Such as Suntory Hall in Tokyo, Japan; La Roque-d’Anthéron Piano Festival, La Roque-d’Anthéron, France;Biarritz Festival, Biarritz, France; Stoller Hall, Manchester,UK; Janacek academy of music and performing art, Brno, Czech Republic; Karlskrona International Piano Festival, Karlskrona, Sweden; by distinguished artists such as Kotaro Fukuma, Peter Jablonski, Daniel Grimwood, Margaret Fingerhut, Catherine Carby, Kristýna Znamenáčková,Jeffrey Biegel, Jean-Francois Bouvery and orchestras such as Windsor Symphony Orchestra or broadcasted on the NPR Radio 4, Netherland

His music received critical acclaim worldwide which led to commissions such as Road to Bach for Piano by Kotaro Fukuma and The Legend of Bijan and Manijeh for Piano, Choir and Orchestra with Jeffrey Biegel, to be premiered by Windsor Symphony Orchestra.

At the age of nine, Mr. Poupel commenced his musical journey by studying the Persian Dulcimer (Santur). Soon thereafter, he began piano lessons under the tutelage of Amin Savabi and finally studied Harmony, Counterpoint, and composition with the great Iranian composer, Saeed Sharifian privately for 5.5 years. After a brief gap between his studies( about 6 months), he launched his international career by Zayande-Rud for string orchestra which has its first professional performance by Windsor Symphony orchestra in Canada, and his music has been demanded throughout the world ever since

Post a Comment

Required fields are marked *
*
*
Your email is never shared.

Farhad Poupel: The Voice of the Shahnameh in the Orchestras Around the World

In an era when almost no trace of contemporary Iranian music can be heard in international concert halls, except (so-called!) avant-garde works that owe their existence solely to the fashionable slogans of the “pseudo-intellectual” crowd who have seized the already meager resources for performing classical music from the true artists of the field, the numerous performances of Farhad Poupel’s works shine as a ray of hope for lovers of sincere musical art. Without resorting to trendy slogans, he has kept the flame of Iranian classical music alive purely through the power of his artistry.

Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

From Past Days…

From the Last Instrumentalist to the First Composer (II)

Rouhollah Khaleghi was the master of composing beautiful melodies. He was the premier of the course of history which was first established by Ali Naghi Vaziri and which improved the Iranian music from simply a gathering music to the classical music of the country. First efforts to compose independent and instrumental music can be also traced in Khaleghi’s works.

Illusion or Ingenuity?

Mohsen Renani in the preface of his book entitled “The Political Economy of nuclear conflict; an introduction to traversing the civilizations” writes:

A Note on the Occasion of Houshang Zarif’s Demise

No introduction is needed when talking about the position of the late Houshang Zarif (1938-2020) in the Iranian music. His character and personality are so well-known among musicians that his name per se is a symbol and role model for the Iranian youth. “Becoming Houshang Zarif” is the dream of many young people who enter the world of music in Iran and many of whom retire regretting the realisation of this dream.

Principles of Violin Playing (I)

The present series of training articles, “Principles of Violin Playing”, seek to help students, to appropriately understand this field, by gradually introducing, categorizing, and teaching the myriad relevant points. One of the principles of playing violin, which must be always kept in mind, is that the selection of the most natural position for the body parts while playing is the best and most appropriate solution. As a matter of fact, any unnatural body part position which requires lots of energy or unusual stretching to maintain, is wrong.

Rouhollah Khaleghi Artistic Center established in Washington DC

Golnoush Khaleghi (1941-2021), a Washington-based Persian musician and the daughter of the contemporary Persian (Iranian) composer and theoretician Rouhollah Khaleghi (1906-1965) founded a musical center called RKAC to keep the name and the work of her father alive.

Tehran Flute Choir Established

Tehran Flute Choir was established in 1394 (late 2015) by Firouzeh Navai. Tehran Flute Choir, Iran’s first largest flute choir, recruited its members mostly from young talented flutists of Iranian Flute Association. Featuring piccolo, flute, alto flute and bass flute, Tehran Flute Choir, directed by Firouzeh Navai, premiered under the batons of Saeed Taghadosi on January 7-8, 2016 at Roudaki Hall in Tehran.

Timeless or Timely: The Role of Historical Context in Defining Artistic Value

Imagine that, in the course of historical research, we discover a musical piece whose compositional techniques (including form, melody, texture, and orchestration) resemble those of a second-rate 19th-century composition. But further investigation reveals that this work predates that period by 200 years. Can we still deem it insignificant? Certainly not. Here, the first major role of historical judgment becomes evident.

“Pledge of Love”

The “Pledge of Love” is the first album in a series composed based on the tasnifs by the renowned Iranian tasnif-maker Mohammad Ali Amir Jahed and recorded by Sahba Kohan Ensemble with Ramin Bahiraie as signer.

Violin’s inner mold, an essential factor in developing the idea of violin

A part of the secrets of the masterpieces from the golden era lies in the special design of the instruments, as a result of a profound insight to and awareness of the significance of the precise calculation of the various components of the object of arts being created, such as making a violin or a bow.

Parviz Meshkatian’s Heart Beat for People (II)

As such, the young Meshkatian reached the position of a great maestro in the Iranian music. Up until 1997, Meshkatian remained prolific and composed many pieces which were characterized by progressiveness while drawing on the music of the past Iranian musicians. In some of Meshkatian’s works, one can trace the influence of maestros such as Faramarz Payvar; however, this influence is so balanced that one can neither say that Meshkatian is a progressive and deconstructionist composer nor does he use cliché forms in his compositions.