Farhad Poupel’s piece, Road to Bach, performed at Suntory Hall

On June 19, 2021 , young Iranian composer and pianist, Farhad Poupel’s piece, Road to Bach, was performed at the prestigious Suntory Hall by the great Japanese pianist, Kotaro Fukuma. The piece was commissioned by Kotaro Fukuma to have its world premiere in Suntory Hall during a concert by the same name. The concert was before the release of Mr. Fukuma’s Bach transcriptions album, released by Naxos, and it tries to look at the influences that Bach music has had since.

The program included:

Farhad Poupel: “Road to Bach”
Brahms: 6 Piano Pieces, Op. 118
J. S. Bach (arr. Brahms): Chaconne in D minor, BWV 1004
J. S. Bach (arr. Liszt): Prelude and Fugue in A minor, BWV 543
List: Great Paganini Studies, S. 141

Road to Bach will be published in Japan mid-September, 2021. Composer Farhad Poupel in his interview with English pianist and author Frances Wilson said:
‘The Road to Bach’ was commissioned by great Japanese pianist Kotaro Fukuma for a concert of the same name in Suntory Hall, Tokyo on June 19. Approximately 3 to 4 months before being contacted by Kotaro Fukuma, I was studying Bach intensely and I was profoundly influenced by his dramatic use of harmonic and tonal language. So I’ve decided to write a piece which gains its movement primarily through its harmonies, but with modern harmonic language.

“…Working with Kotaro is one of the most delightful experiences of my life, even though writing this piece was quite challenging for me, especially since it was one of the most difficult times in my personal life. We had so many useful discussions regarding the work and I even changed the piece based on a good suggestion from him. The piece is quite challenging, but after he sent a video of himself performing it considerably musically, I was jubilant beyond measure since I saw all of our challenges led to this moment. And after he suggested my work be published in Japan, the sense of triumph was even greater, since this is my first publication by a publisher so far…”.

The work will also have three performances in France, Including the prestigious La Roque-d’Anthéron Festival on July 25. It will also have its Belgian-premier in Flagey, Brussels on October 31.
The pianist and commissioner of this work, Kotaro Fukuma, has a career in music, including performances at Wigmore Hall, Suntory Hall and Carnegie Hall, and performances with the world’s most important orchestras, including the NHK, the Finnish Radio Symphony Orchestra and the Cleveland Orchestra.

***

Farhad Poupel is described as “knowledgeable, highly competent and a serious musical thinker.it will be rewarding to follow his progress” (Simon Mundy, International festival review) and his music is described as “.. Immediately captures the audience’s attention. Whether ethereal or intense, the harmonies and melodies are fused with love, passion, and colorful sonic landscape..”(Jeffrey Biegel, American Pianist)

Born in Isfahan, Iran, his music has been performed and will be performed in numerous prestigious concert halls and festivals throughout the world Such as Suntory Hall in Tokyo, Japan; La Roque-d’Anthéron Piano Festival, La Roque-d’Anthéron, France;Biarritz Festival, Biarritz, France; Stoller Hall, Manchester,UK; Janacek academy of music and performing art, Brno, Czech Republic; Karlskrona International Piano Festival, Karlskrona, Sweden; by distinguished artists such as Kotaro Fukuma, Peter Jablonski, Daniel Grimwood, Margaret Fingerhut, Catherine Carby, Kristýna Znamenáčková,Jeffrey Biegel, Jean-Francois Bouvery and orchestras such as Windsor Symphony Orchestra or broadcasted on the NPR Radio 4, Netherland

His music received critical acclaim worldwide which led to commissions such as Road to Bach for Piano by Kotaro Fukuma and The Legend of Bijan and Manijeh for Piano, Choir and Orchestra with Jeffrey Biegel, to be premiered by Windsor Symphony Orchestra.

At the age of nine, Mr. Poupel commenced his musical journey by studying the Persian Dulcimer (Santur). Soon thereafter, he began piano lessons under the tutelage of Amin Savabi and finally studied Harmony, Counterpoint, and composition with the great Iranian composer, Saeed Sharifian privately for 5.5 years. After a brief gap between his studies( about 6 months), he launched his international career by Zayande-Rud for string orchestra which has its first professional performance by Windsor Symphony orchestra in Canada, and his music has been demanded throughout the world ever since

Post a Comment

Required fields are marked *
*
*
Your email is never shared.

Five Major Myths About Mozart’s Life

Wolfgang Amadeus Mozart, the renowned Austrian composer, is undoubtedly one of the greatest geniuses in the history of classical music. However, his life is surrounded by numerous myths and legends, some of which are not based on facts. This article explores five of the most common misconceptions about Mozart’s life.

Bahma Rajabi Passed Away!

Bahman Rajabi, the renowned tonbak (Persian goblet drum) player and educator, passed away at his home at the age of 86 due to a heart condition. He was the founder of a distinctive school of tonbak playing, and his teaching methods have been widely used by instructors of the instrument for decades..

From Past Days…

Layla Ramezan, Iranian Pianist

Iranian pianist Layla Ramezan has always sought to create a connection between her Persian origin and the contemporary music which she encounters daily. Sound, phrasing, a particular sense of rhythm and a refined understanding of the “time of musical development” are the foremost qualities of her interpretations. Her musical and pianistic education began in Tehran at the age of 8 with Mostafa-Kamal Poortorab. Having moved to Paris and received a scholarship from Albert Roussel Foundation, she integrated the classes of Jean Micault and Devi Erlih at the Ecole Normale de Musique de Paris Alfred Cortot, where she received a Diplôme de Virtuosité in piano performance and chamber music.

Developments in Iranian Music Since Qajar Era (I)

At the end of the Qajar era and as Iran entered the power transition period, known as the constitutional era, the Iranian music went through a lot of changes. These changes gained momentum as the students and followers of Ali Naqi Vaziri’s entered the musical scene. These changes greatly influenced designs of instruments, playing methods, singing, composing, etc.

Behzad Abdi’s opera Rumi was physically released by Naxos

Composing a traditional Iranian opera using the Iranian modal system, dastgāh, has always been my dream. I first approached this by composing an opera called Ashura followed by the operas Rumi and Hafez. I believe that in order to attract an international audience for Iranian opera, it is essential to fuse dastgāh with Western classical forms.

Inefficiency of some chords and harmonization systems in Iranian music

Discussions and research have been conducted on the harmonization of “dastgah” and melodies in Iranian music, and several books have been published on this topic, including “Armenian Music of Iran” by Ali Naghi Vaziri, “Harmony of Iranian Music” by Farhad Fakhreddini, and “Harmony of Iranian Music” by Ali Ghamssari. A master’s thesis titled “Presenting a Solution for Harmonizing Based on the Structure of Tritone Intervals” was written by Atefeh EinAli in 2014. Additionally, the invention and use of “Even Harmony” by Morteza Hannaneh should be mentioned.

Fereydoun Shahbazian, An Iranian Musical Icon Passed Away

Fereydoun Shahbazian, the renowned Iranian composer, passed away at the age of 82 due to respiratory illness in Tehran. His last significant activity was leading the National Orchestra before the appointment of Homayoun Rahimian.

Polyphony in Iranian Music (II)

With regard to each polyphonic form, only one specific and distinguished example is analyzed. These polyphonic forms are as follows:

Ashoura Opera

Ashura Opera was composed by Behzad Abdi, the Iranian composer, in 2008 based on librettos compiled by Behrouz Gharib. The main source for the libretto is poems by Mohtasham Kashani, a sixteenth century Iranian poet.

The Structure of Kurdistan Daf (V)

ehrouz Mohammadi, “Daf and its feasts in Ghaderieh’s Tekyeh” mentions that the outer thickness of arch where studs are located, [is] between one to one and a half centimeters (Mohammadi, 2001: 12). The thickness of arch should be gradually reduced from the installation place of rings to skin (Avazeh of Daf) to create a high volume, clear sound from Daf; also, the connection of arch to skin should not be less than one millimeter, because in this case the skin will be torn due to the sharpness of the wood (Mogharab Samadi, 2009: 79-78). The thickness of wood on the skin side is about two to three millimeters (Tohidi, 2002: 79).

Mohammad Esmaili passes away

Master Mohammad Ismaili, a prominent musician and renowned tombak player, passed away on August 13, 2023, after battling an illness in the ICU of Rasoul Akram Hospital. His funeral will take place on Thursday, August 17, at 10 am in front of Vahdat Hall, and he will be laid to rest in the Artists’ Section of Behesht Zahra Cemetery.

Women and the Music Environment in Iran

The life territory of the female-male relations in the Iranian cultural context is basically a domestic territory and not a social-living one in the labour and leisure domains. To prove this, it only suffices to consider the Iranian men’s viewpoints about women. For the Iranian men, there are three perspectives regarding the women: mother, sister and wife. Mother represents the emotional territory; sister represents the logical territory at home while wife represents the sexual territory.